Survival in Auschwitz Read Online Free Page B

Survival in Auschwitz
Book: Survival in Auschwitz Read Online Free
Author: Primo Levi
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Kartoffelschalenkommando, the ‘Potato Peeling Command’, and if one can be enrolled in it.

    In fact, the whole process of introduction to what was for us a new order took place in a grotesque and sarcastic manner. When the tattooing operation was finished, they shut us in a vacant hut. The bunks are made, but we are severely forbidden to touch or sit on them: so we wander around aimlessly for half the day in the limited space available, still tormented by the parching thirst of the journey. Then the door opens and a boy in a striped suit conies in, with a fairly civilized air, small, thin and blond. He speaks French and we throng around him with a flood of questions which till now we had asked each other in vain.
    But he does not speak willingly; no one here speaks willingly. We are new, we have nothing and we know nothing; why waste time on us? He reluctantly explains to us that all the others are out at work and will come back in the evening. He has come out of the infirmary this morning and is exempt from work for today. I asked him (with an ingenuousness that only a few days later already seemed incredible to me) if at least they would give us back our toothbrushes. He did not laugh, but with his face animated by fierce contempt, he threw at me ‘Vous n’êtes pas à la maison.’ And it is this refrain that we hear repeated by everyone: you are not at home, this is not a sanatorium, the only exit is by way of the Chimney. (What did it mean? Soon we were all to learn what it meant.)
    And it was in fact so. Driven by thirst, I eyed a fine icicle outside the window, within hand’s reach. I opened the window and broke off the icicle but at once a large, heavy guard prowling outside brutally snatched it away from me. ‘Warum?’ I asked him in my poor German. ‘Hier ist kein warum’ (there is no why here), he replied, pushing me inside with a shove.
    The explanation is repugnant but simple: in this place everything is forbidden, not for hidden reasons, but because the camp has been created for that purpose. If one wants to live one must learn this quickly and well:
    ‘No Sacred Face will help thee here! it’s not
A Serchio bathing-party…’

    Hour after hour, this first long day of limbo draws to its end. While the sun sets in a tumult of fierce, blood-red clouds, they finally make us come out of the hut. Will they give us something to drink? No, they place us in line again, they lead us to a huge square which takes up the centre of the camp and they arrange us meticulously in squads. Then nothing happens for another hour: it seems that we are waiting for someone.
    A band begins to play, next to the entrance of the camp: it plays Rosamunda, the well known sentimental song, and this seems so strange to us that we look sniggering at each other; we feel a shadow of relief, perhaps all these ceremonies are nothing but a colossal farce in Teutonic taste. But the band, on finishing Rosamunda, continues to play other marches, one after the other, and suddenly the squads of our comrades appear, returning from work. They walk in columns of five with a strange, unnatural hard gait, like stiff puppets made of jointless bones; but they walk scrupulously in time to the band.
    They also arrange themselves like us in the huge square, according to a precise order; when the last squad has returned, they count and recount us for over an hour. Long checks are made which all seem to go to a man dressed in stripes, who accounts for them to a group of SS men in full battle dress.
    Finally (it is dark by now, but the. camp is brightly lit by headlamps and reflectors) one hears the shout ‘Absperre!’ at which all the squads break up in a confused and turbulent movement. They no longer walk stiffly and erectly as before: each one drags himself along with obvious effort. I see that all of them carry in their hand or attached to their belt a steel bowl as large as a basin.
    We new arrivals also wander among the crowd, searching for a
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