democracies
without populations
entirely philosopher king;
Supplice in her Artemisian skin,
washing her painfully beautiful hair
in the last of the potable water.
She tells him one night of her long dead sister
Helen, not a woman, but a narrow-
waisted, asphodel-bedecked Idea
with pornographic breasts
and a mouth that shaped lies into song,
song abducted across the sea,
but he tells her itâs childrenâs minds,
not his own, that he fears
for in this noise that shapes song into money,
the coins that break the scales that measure
the coins that cover the eyes gone blue
from staring into hyperlinks. She pets his knee
and promises this noise is amniotic
fluid of utopia, when everyone will be her sister.
Temple of Discontinuity . . .
a single night-long sigh,
broken by broken
egos and Is
of a thousand nights, he
turning on, off, and on
a schizophrenic light
in the lighthouse parapet
atop his temple by the Sea
of Sudden Discontent, the tide
in the bedroom doorway carrying off the broken,
curved
planks of a thousand ships
made of nothing
more than words
for all the thousand types of subtle heart
attacks
one suffers wanting âHelenâ back.
Hurt but to heal, to coolâwhat heat,
what real but a fake
touch, what pulls
away like a craft
sans
gondolier
the tide keeps knocking
against the pier. But real
when the tide takes
away what hurt but what one
asked to feelâwhat never
but what today. White shirt
but to strip
as you drift
in the breakwater craft of burning oneâs days.
Vacuum tubes from old TVs:
void-marrowed bones of the
alembic she supplies
to transubstantiate a lack
of faith into a clearer lack
of need, a liquid so devoid
of sediment, of particles
of protein from the heart, that she,
humming the tune to
Vive la
Ressentiment,
consumes
all night with total calm
the two-cuts-
per-second pornography
of this particular century.
âthat she can hold his head
like Johnâs from Salomeâs
platter or Klimtâs
Judithâs Holofernesâ death
after little death after death
held by the hairâthat she exits the bed
without waking the head,
leaves the house in its halo of lampposts
and moths and wanders
side-by-side with herself,
arrives at the water
and, lifting a platter
of 32 Fahrenheit glass, talks a long
time to her own deathâs head faraway in the mirror.
The other shore
garden of untended
heartstems, forked
succulents, tangled,
a seine to trammel
all intimate talk that
crosses. The coin-on-the-tongue
price of crossing is that
he retreats, she repeats
scores of times âsystem
errorâ has lost
his mind at a fork
in aortic, riparian,
intimal talk.
Hurt but what one asked to feel,
I will,
so they wed
with a ring of American rain
disbanded by wind
blowing newsprinted â CITIZENS
SCATTERED BY RIOT POLICE ,â
along the waterline. Supplice,
zeitgeist succubus,
speaks English not
to talk but to drop
a drop in each void,
each unplugged incubator
lined up like world news
monitors along the waterline.
Raking lace
at the fringe of the tide,
raking with fingers
the English and cutwork
and French of the froth,
with the negative black
dwarf sun in her eye echo
eye mirror eye, she,
taking his fingers,
English and Hebrew bones,
bobbin bones,
to lace with her own,
said
love, if you like,
but
abyss of light.
Wax seal and watermark
and copyright protection code:
so go in through the crack
in the aft of the ark,
past helot pugilists
petrified in armlock
in the secular dark
of the 600,000 ton hold
with CAUTION -orange plastic crates
of Third World aid
and darker crates of complex
not-exactly-shame
and pirate gold
and pyrite.
Open your mouth, he will see
ailleurs
(an elsewhere slightly
more distant than
elsewhere
), where, if he
forgets his Earth, he may found
a city of rhapsodes
who drink from their own
calvaria inscribed
with circlet arguments