Super Sad True Love Story Read Online Free Page B

backing away from us. She looked as if she was expertly holding back the tears.
    “Fuck off, Lenny,” the sculptor said, giving me a little shove. His hands were undeniably strong. “Go peddle your fountain of youth.”
    “Find a couch and chillax,” I instructed the sculptor. I moved over to Eunice and put my arm within the vicinity of her, but not directly upon her. “I’m sorry,” I muttered. “He gets drunk.”
    “Yeah, I
gets
drunk!” the sculptor shouted. “And I may even be a little bit tipsy right now. But in the morning I’ll be making art. And what are you going to be doing,
Leonard
? Pushing green tea and cloned livers to geezer Bipartisans? Typing in a diary? Let me guess. ‘My uncle abused me. I was addicted to heroin for three seconds.’ Forget the fountain of youth, pal of mine. You can live to be a thousand, and it won’t matter. Mediocrities like you
deserve
immortality. Don’t trust this guy, Eunice. He’s not like us. He’s a real American. A real sharpie. He’s the reason we’re in Venezuela right now. He’s why people are afraid to say ‘boo’ in the States. He’s no better than Rubenstein. Look at those dark, lying Ashkenazi eyes. Kissinger the Second.”
    A crowd had started to gather around us. Watching the famous sculptor “act out” was a great source of entertainment for the Romans, and the words “Venezuela” and “Rubenstein,” spoken with slow, accusatory relish, could arouse even a coma-bound European. I could hear Fabrizia’s voice announcing itself from the living room. As gently as possible, I prodded the Korean toward the kitchen, which led to the servants’ quarters, which enjoyed a separate entrance to the apartment.
    In the half-light of a bare bulb, I saw the Ukrainian nanny petting the sweet, dark head of Fabrizia’s boy, as she maneuvered an inhaler into his mouth. The child registered our intrusion with little surprise, the nanny began to say “
Che cosa?
,” but we trooped right past her and the small tidy stash of clothes and cheap mementos (a cooking apron depicting Michelangelo’s David astride the Coliseum) that made up her immediate possessions. As Eunice and Iclambered down the noisy marble stairs, we heard Fabrizia and others give chase, summoning the wire-mesh enclosure of the elevator to their high floor, eager to catch up with us and hear what had happened, how the sculptor’s considerable drunken anger had been stirred. “Lenny, come back,” Fabrizia was shouting. “
Dobbiamo scopare ancora una volta
. We have to fuck still. One last time.”
    Fabrizia. The softest woman I had ever touched. But maybe I no longer
needed
softness. Fabrizia. Her body conquered by small armies of hair, her curves fixed by carbohydrates, nothing but the Old World and its dying nonelectronic corporeality. And in front of me, Eunice Park. A nano-sized woman who had likely never known the tickle of her own pubic hair, who lacked both breast and scent, who existed as easily on an äppärät screen as on the street before me.
    Outside, the southern moon, pregnant and satisfied, roosted atop the outreached palm trees of Piazza Vittorio. The usual immigrant gaggle were sleeping off a long day of manual labor or tucking in their mistresses’ children. The only pedestrians were stylish Italians staggering back from dinner, the only sounds the hum of their bitter conversations and the hissing electric rattle of the old tramcar that surveyed the piazza’s northeastern side.
    Eunice Park and I marched ahead. She marched, I hopped, unable to cover up the joy of having escaped the party with her by my side. I wanted Eunice to thank me for saving her from the sculptor and his stench of death. I wanted her to get to know me and then to repudiate all the terrible things he had said about my person, my supposed greed, my boundless ambition, my lack of talent, my fictive membership in the Bipartisan Party, and my designs on Caracas. I wanted to tell her that I myself was