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and retailers. At Netflix, nearly two-thirds of the rented films are recommended by the site. And recommended films are rated half a star higher (on Netflix’s five-star ranking system) than films that people rent outside the recommendation system.
    While lists of most-emailed articles and best-sellers tend to concentrate usage, the great thing about the more personally tailored recommendations is that they diversify usage. Netflix can recommend different movies to different people. As a result, more than 90 percent of the titles in its 50,000-movie catalog are rented at least monthly. Collaborative filters let sellers access what Chris Anderson calls the “long tail” of the preference distribution. The Netflix recommendations let its customers put themselves in rarefied market niches that used to be hard to find.
    The same thing is happening with music. At Pandora.com, users can type in a song or an artist that they like and almost instantaneously the website starts streaming song after song in the same genre. Do you like Cyndi Lauper and Smash Mouth?
Voilà,
Pandora creates a Lauper/Smash Mouth radio station just for you that plays these artists plus others that sound like them. As each song is playing, you have the option of teaching the software more about what you like by clicking “I really like this song” or “Don’t play this type of song again.”
    It’s amazing how well this site works for both me and my kids. It not only plays music that each of us enjoys, but it also finds music that we like by groups we’ve never heard of. For example, because I told Pandora that I like Bruce Springsteen, it created a radio station that started playing the Boss and other well-known artists, but after a few songs it had me grooving to “Now” by Keaton Simons (and because of on-hand quick links, it’s easy to buy the song or album on iTunes or Amazon). This is the long tail in action because there’s no way a nerd like me would have come across this guy on my own. A similar preference system lets Rhapsody.com play more than 90 percent of its catalog of a million songs every month.
    MSNBC.com has recently added its own “recommended stories” feature. It uses a cookie to keep track of the sixteen articles you’ve most recently read and uses automated text analysis to predict what new stories you’ll want to read. It’s surprising how accurate a sixteen-story history can be in kickstarting your morning reading. It’s also a bit embarrassing: in my case
American Idol
articles are automatically recommended.
    Still, Chicago law professor Cass Sunstein worries that there’s a social cost to exploiting the long tail. The more successful these personalized filters are, the more we as a citizenry are deprived of a common experience. Nicholas Negroponte, MIT professor and guru of media technology, sees in these “personalized news” features the emergence of the “Daily Me”—news publications that expose citizens only to information that fits with their narrowly preconceived preferences. Of course, self-filtering of the news has been with us for a long time. Vice President Cheney only watches Fox News. Ralph Nader reads
Mother Jones
. The difference is that now technology is creating listener censorship that is diabolically more powerful. Websites like Excite.com and Zatso.net started to allow users to produce “the newspaper of me” and “a personalized newscast.” The goal is to create a place “where you decide what’s the news.” Google News allows you to personalize your newsgroups. Email alerts and RSS feeds allow you to select “This Is the News I Want.” If we want, we can now be relieved of the hassle of even glancing at those pesky news articles about social issues that we’d rather ignore.
    All of these collaborative filters are examples of what James Surowiecki called “The Wisdom