newspaperâs headline about an occult killing in Rittenhouse Square. I suppose he finds the music calming but the photos of mangled bodies make my stomach roll. The blood looks like splattered engine oil.
Santi looks at the oak moldings that stretch across the ceiling. âNice place,â he says.
âIndeed, it is,â the gentleman responds, giving us a look that says we donât measure up.
I spot a nameplate on his desk that reads Robert Baines . âGood evening, Baines,â I say. âWe need a couple of rooms.â To let him know weâre flush, I add, âYour best.â
Baines looks me over. He probably canât figure out if Iâm black, white, or plaid.
âCanât help you,â he says, turning his attention back to his newspaper.
âBut Denny Gazzara told me you could.â My breath tightens and my mouth goes dry. âHe said to mention sugar pop moon.â
Bainesâs white eyebrows rise on his pink forehead. Heâs listening, but heâs not convinced.
âYou are Baines, arenât you?â
Baines scans me from head to toe. Iâm trying to look calm but Iâm jumpy as hell. He must realize Iâm not an undercover Fed because nobody with a sane mind would hire me to be an undercover anything.
âAll Iâve got are the suites,â he says, opening the desk drawer and pulling out two room keys.
The bellhop comes to take our bags; I hand him my coat and hat and tell him to take them to my room. Santi does the same.
âWeâre looking to wet our whistle,â I tell Baines as he hands us our keys. âWeâve been driving all day and weâre dry.â
âYou might try the drugstore on Twelfth Street, just past Lubinâs Palace,â he says. âMaybe pick up some cream for that skin of yours.â
âThanks,â I say as I start for the elevator. The drugstore is a front, for sure.
âHey,â he says.
I stop and turn around.
âTheyâre serious over there.â
âSo am I,â I say.
The bellhop has our bags so Santi and I follow him into the elevator. He puts Santi in room 1213 and I get 1214.
When I open the door, I see Iâve got the honeymoon suite. The place is pure elegance, the white carpet is lush and the windows overlook the Philadelphia skyline. A bouquet of roses is on a nightstand at the foot of a brass bed. I toss the flowers into a blue glass wastepaper basket next to the doorway. Then I dump my bag on the bed, pull out my flask, and down a double shot. The whiskey burns going down but the sting in my chest makes me feel like I know what Iâm doing. Thereâs a small marble sink outside the bathroom, probably intended for a young bride to freshen up; I use it to splash some warm water on my face and soothe my skin. I dab my cheeks with one of the hotelâs fluffy cotton towels, and then go next door to get Santi. Iâll take him to dinner and then bring him back here before I head over to the drugstore. Gazzara doesnât have to find out that my only backup is a seventeen-year-old Spanish kid who plays a top-notch game of chess.
The drugstore isnât anything fancy. Standing behind the counter is a wrinkly old man with a few strands of curly white hair sprouting from the top of his head. Heâs wearing a lab coat but I donât spot a single vial of medicine in the place. There are six tall glass jars on a wooden shelf but they hold only hard candies; the other boxes are filled with kidsâ toys, like high-bounce balls and slingshots. The only medical implement I see is a thermometer. If this guyâs a druggist, Iâm a sunbather. When I reach the counter, he dons a pair of thick brown eyeglasses and takes a closer look at my face. I donât say anything; I let him stare.
âI donât think weâve got anything for you, son,â he says.
âI think you might,â I say. âMy problem isnât my