surprised.
âTell me, is there anything worse than a Yankee?â I say to the bartender, who gives me a slow-developing, collaborative smile.
âTwo,â he says, and I agree.
The music, that music⦠echoes and is magnified inside of Lieutenant Santamariaâs head. His body is flushed with warmth. Heâs high.
The air-conditioning isnât working very well, and Leonora Christina is perspiring, in her blue x-ray dress. Tan nylons that Angel knows are held up by a garter belt, lacy panties, andâoh, he wants her, thereâs never been any doubt about that. But lately their lovemaking has been contaminated and corrupt. Something is wrong. Where they used to share secrets, now they conceal them.
The saxophone shrills, like some kind of exotic talking bird. In black and white and then, in a spurt of musical blood, the deepest of reds.
The moment passes. Some girl begins to sing, in English, âFly Me to the Moon.â She was hired for the size of her breasts; her dress is made to show them off.
âLook,â says Angel. âSee that guy with the little mustache? Heâs the biggest pusher of reefer in the world.â
âDoes he pay protection?â
âOf course.â
âWhatâs your cut?â asks Leonora, looking at Angel half-mockingly, as though she knows the score but will put him through his paces nonetheless.
âThree reefers a week,â he says, keeping a straight face. âSometimes four.â
Fulgencio Batista is having a hard time getting to sleep. He canât stop thinking about the horror movie he saw tonight. It really scared him. The girl in his bed, who has luxurious dark red hair, tries to console him.
âSweetie,â she says, âYou worry too much.â
âIâm just thinking,â says â
El Hombre
â. âTell the truth, will you? Do you believe in vampires?â
Yes, she does. To reassure him, however, she says no.
Oh Jesus the bomb goes off so loud it breaks the windows of the shops across the street: all you can see is smoke, all you can hear is the big echo of the explosion and then the screams of the wounded, horrible criesâor maybe youâre deaf, and itâs all inside your head. Maybe your screams are the loudest, the most abandoned of them all. Or youâre dead and you donât know it. Come on then, amigo. Try to run away.
Mariarosa and her friend Leonora Christina go for a drive down Fifth Avenue, looking at the surf off to the right. The car is a Thunderbird, given to Mariarosa as a gift by her lover, a fifty-three year old vice president of some American company that imports or exports somethingâshe never listens to him talk. His wife finds Cuba too humid, sheâs always tired. While he likes to have some fun.
âOne week Justo wants to be a poet,â says Leonora, âAnd then the next week he wants to play the trumpet in some band. If he can ever decide what he really wants to do, and stick with it, I think heâll be okay. Heâs not so complicated as Angel, but Angelâs too complicated for his own good. Heâs moody; he wonât talk about whatâs on his mindâ¦â
Mariarosa frowns. Sheâs only met Justo once, but she was not impressed. Angel is so handsome: to her mind thereâs no comparison.
âAt least,â she says, remembering an intimate confession, âAngel knows how to make you happy.â
âYeah, thatâs true. Justo gets too excited. He wants to please me so bad⦠Maybe I can teach him. I donât know.â
Thereâs nothing she can teach Angel.
Jagged streaks of theatrical lightning tear apart the sky, followed closely by several basso profundo roars of thunder, which some people mistake for explosions. The rain attacks the island in a fury, only gradually losing its concentration and getting lazy, slacking off.
Ulpiano Gutierrez answers the front door, expecting someone