bagels, and fruit cups from catering and prepared to shoot the morningâs scene.
Chelaâs eyes were wide and excited at the sheer number of hard-bodied extras assembled before enough cameras to shoot the moon launch. It takes a village, all right.
âWhoâs starring in this?â Chela asked me.
âTrust me, nobody youâd know.â
Chela grinned. âGood. You never want big stars in a horror movie. No offense.â
âWhy not?â
Chela looked up at me as if I was crazy. âHel-lo? âCause they suck, thatâs why.â
âJohnny Depp was in the original Nightmare on Elm Street . Kevin Bacon was in Friday the Thirteenth .â
âDonât count. At the time, they were nobodies.â
I chuckled, sipping from my latte. âYou sound like youâve got it all mapped out.â
âB and I came up with Horror Movie Rules.â
Poor Bernard had been left behind in L.A., and I was afraid heâd been forgotten. The boy had transformed Chela from street to geek. âLetâs hear them,â I said.
âOne, no big stars. Two, it has to be rated R. PG-13 horror is a waste of film.â
âNot a problem in this one.â Freaknik would be lucky to get past the MPAA, considering the nudity and incest themes between the leads, who played a brother and sister. Just the thought of their scenes together made my skin crawl.
âThree, absolutely no CGI monsters. CGIâs great for talking animals, but it isnât scary. Too fake. You always know the monster isnât real.â
A laugh rumbled behind us. I knew the voice, but his laughter was rare.
â Fantástico ,â Gustavo Escobar said. âA visionary. Where was she when I was fighting the studio suits? Who is this thoughtful young lady, Tennyson?â Escobar took off his round-framed black sunglasses to peer at Chela more closely.
Chelaâs face turned deep crimson, and she moved closer to me, nearly hiding. Her shyness pleased me; once upon a time, Chela had been anything but shy.
âGus, this is my daughter, Chela,â I said before she could speak. âSheâs in high school.â
The word daughter was fudging. Iâd been raising Chela since she was fourteen, but her birth mother had refused to sign the adoption paperwork when I tracked her down, and weâd never made it official after Chelaâs eighteenth birthday. As a recent graduate, Chela probably wanted to stomp on my foot for saying she was in high school, but Escobarâs presence mesmerized her. His aura made both men and women stare. Escobar carried himself as if he harbored the wisdom of the world.
He leaned close to Chelaâs face and spoke to her with a storytellerâs voice. âNo big stars, sà . The bigger they are, the fewer chances they take. A PG-13 rating only announces to the world that you wonât make them uncomfortable. CGI monsters? As the lovely one says, theyâre merely shadows on the wall. No substance. Only makeup and prosthetics will frighten us. But you forgot one rule.â
âWhat?â Chela said.
Escobar winked at me. âA black man must die, preferably first,â he said. âPreferably to save a white female of child-bearing ageâthe most valued member of our society. This sacrifice gives viewers a pang of loss and foreboding. Politically incorrect for a time, yes, but an important statement in our culture. Remember what Kubrick did in The Shining .â
How could I forget? Iâd read Stephen Kingâs novel, so I was surprised when poor Scatman Crothers caught an ax in his chest as soon as he walked through the door. Didnât happen that way inthe book. Kubrick and Escobar apparently shared the same philosophy.
âThe Sacrificial Negro,â I said blandly.
Escobarâs eyes lit up. â Exactamente! Rule Number Four.â
While Chela giggled, I almost missed Escobarâs gaze flickering to her