Slaughter's Hound (Harry Rigby Mystery) Read Online Free Page B

the window, peeked out into the yard. Jimmy was sitting half-out of the Saab, smoking and jotting down the cab’s number, head at an angle, phone tucked between shoulder and ear.
    The efficient type, Jimmy.
    By now Bear was barking fit to shiver the foundations. I made my way through to the rear, gave the metal door the double tap, made shushing sounds, then shunted the door inwards. Bear’s nails clickered on the concrete as he reared up to plant a paw on either shoulder. Full-bred Irish wolfhound. Up on his hind legs he’d have held his own in a line-out. I staggered under his weight, waltzed backwards a little, then pushed him off and tousled his ears.
    ‘Not tonight, Bear. Sorry.’
    I kicked the crutch he’d been mauling back into the pile in the corner and found the box on the top shelf, scattering a handful of bone-shaped biscuits into his metal bowl, topping up his water. Finn loved that hound, had rescued him as a terrified pup from a shelter, but he had a theory that a hungry watchdog made for an alert watchdog. Put that with Finn’s prodigious appetite for psychotropic grass and a general attitude to life that if charted on a graph of ambition and endeavour would resemble a hammock, and you had a dog that was on occasion leaner and meaner than his doggie god creator intended.
    While I was at it I ducked my head into his kennel to check on the bedding. It seemed fresh and clean, and by the time I backed out Bear had settled himself in a corner to gnaw at a biscuit, toying with it, three or four others still in the bowl. Which meant Finn was on the case and Bear was well fed, which was a pity of sorts. I’d been entertaining the idea of taking him out for a stroll in the yard, just to see how efficient Jimmy might be with 160 pounds of war hound bearing down at full throttle.
    There was no lift in the PA building. What you got was nine stories of rusted metal stairs bolted to the inside walls. Once upon a time a set of four stairs would have taken you up to a new floor, but the insides had long ago been ripped out. Now, once you cleared the gallery space, the building was a silo all the way to the top floor. A stiff climb, but nothing a reasonably fit man couldn’t manage without breaking a sweat. By the time I reached the top I could have done with an oxygen mask and a brace of Sherpas.
    I rapped a tattoo on the studio door.
    ‘Yeah, Harry?’ Finn’s voice came muffled. ‘C’mon in.’
    The studio took up most of the ninth floor, with a mixing-desk tucked into the far corner. Egg-boxes covered the ceiling and most of the walls. Finn was behind the desk, headphones around his neck. Tall and lean even sitting down, shoulders bony under the white crew-neck tee. He almost always wore the same ensemble : white T-shirt, faded Levis, brown suede moccasins, coarse blond stubble. No socks. The flaxen hair cut into the shaggy bowl favoured by post-smack Brian Jones. In behind the fringe he had a wide-awake face, an engaging grin, bright blue eyes.
    Behind him were amps, processors, serried ranks of vinyl LPs. The muted rattle was The Wedding Present turned down low. It sounded like ‘Brassneck’, but then one Weddoes sounds a lot like the rest when it’s turned down low.
    The near half of the studio was dominated by a rough wooden table covered with tubes of paint, brushes in jars, palette knives. A pair of easels stood side-by-side, both covered with paint-spattered tarps. Canvases stood stacked four and five deep against the wall, some framed, some not. In the corner a Stratocaster in the classic yin-yang black-and-white stood propped on a stand, two strings missing, a third hanging by a thread.
    The far wall was the reason Finn had picked the PA for his studio: a full-length window, looking out across the docks and the deepwater to the sea and Benbulben beyond. A pane had been slid aside to allow a faint breeze waft through and create a draught with the fire escape door, which was wedged open on the opposite