Even after twelve years of coming here heâs never got used toit. The reek of developing fluid reaches out to every corner, filling his lungs, clinging to his skin. Sometimes he lingers under the shower at night, waiting for the labâs smells to wash away.
The storeâs empty of customers. No-one loiters here; this isnât an in-between place. Stands are covered with old frames in various sizes. Orange-and-green film canisters line the shelves.
Leaning against the counter are sample photos to demonstrate the different dimensions of enlargements. There are seven copies of the same image â a woman with permed hair, shoulder pads and pink lipstick. She hangs from the ceiling too, sometimes in matt, sometimes glossed. Tall people like Dustin bump their heads on her. These prints â like the rest of his fatherâs equipment â are so out of date they irritate Dustin every time he comes in. Itâs as though the lab were a time capsule, incapable of evolving with the outside world.
On hearing the bell above the door, his father emerges from the stock cupboard, anticipating a customer. He seems disappointed. âI wasnât expecting you.â
âI left my maths here last night. I wonât be long.â
âI didnât see it.â Ken sighs. The in-tray is bulging and thereâs little chance of him closing the shop on time. Hecould use some extra help but wonât ask for it. âTake your time,â he says, and returns to the stockroom while the old processor continues its whir. A pedestrian walks past the shopâs glass windows but doesnât come in. Dustinâs on his own and thereâs nothing to lose. He slides the top drawer open. Inside, cardboard dividers separate letters A to Z, each section fat with packs of photos waiting to be collected. Thereâs nothing stopping him but time.
He doesnât know her first name, let alone her last, so his only strategy is to start from the beginning. Sheâs not in A or B. He opens packets in a rush, finding a repetition of themes â babies, pets, cars, holidays â but he doesnât find her. The urge to find her is greater than the trepidation he thought heâd feel.
From inside the stock cupboard, his fatherâs pen taps as he counts. Sheâs not in C or D. Where is she? Where is this woman with the dark eyes and the Ducati?
âDustin, can you get that?â
Sheâs in front of him, standing across the counter. Sheâs the length of a ruler from him.
âDustin?â Ken repeats.
âHi. Iâve got some photos to pick up.â
Sheâs speaking to him. Sheâs not wearing a leather Kevlar jacket, but a white shirt. He senses her dark eyes but canâtbring himself to look at them. Sheâs so close he can smell her perfume.
âDustin, you got that?â His father emerges from the stock cupboard. âOh hi, Terri. Dustin will sort you out. Dustin â¦â Kenâs unaware of the adrenalin rushing through his sonâs body.
Dustinâs skin prickles him, like pins and needles all over. Each second drags on.
â⦠heâll sort you out â¦â
Dustin fumbles through the remainder of the photos in the deep drawer. Heâs the only one who can see his hands shaking. He needs to ask for her last name but he doesnât know how to look at her, let alone speak.
âUnder P for Pavish.â
He flicks to P and works his fingers through the bunches of packets. Terri Pavish. Terri Pavish is standing across the bench. His head is down, focusing on the bundles of photos, but he can feel the weight of her eyes upon him. Thereâs no Pavish.
âOr F for
Fremantle Herald
. Sometimes it goes under F,â Ken calls from the stock cupboard.â
âYeah, this oneâs for work. Most of it anyway.â
And so Terri Pavish speaks â casually, easily, as though her world goes on as normal. He tries to pull