comics. I also used to hang out with this one national comic who would come to town two or three times a year. He even finally made a small, unknown movie called Ski Patrol. When it came out on video, he would come into the video store I was running and yell, âHey, whereâs my movie?â People would just stare at him strangely. I would point and say, âOver there, Mr. Lopez.â I kept trying to convince people to go see this comedian and people kept saying, âGeorge who?â
Too bad they didnât listen.
Not knowing where she might have dredged up the presence of mind to do it, very quietly, almost in a whisper, Melissa said to her attacker: âExcuse me, but Iâm bleeding very badly.â
This comment stopped the bogeyman in his tracks. He froze. Perhaps he did not expect his victim to humanize herself. She was not an object any longer, maybe. Melissa had turned herself into a person, a human being.
After she said that, Melissaâs attacker quickly jumped off the bed and ran, as if Melissaâs comment had snapped him out of the rage-fueled, sexual frenzy he was in and brought him back to reality. It was as though he realized what he was doing wasnât working.
Melissa thought quickly and reacted.
âI did not even give him the chance to get to the bedroom door when I rolled over and grabbed the phone and dialed 911.â
A move that likely had saved her life.
As her attacker scrambled to get out of the apartment, Melissa pleaded with the 911 dispatcher. Her first two sentences were so quick and garbled and full of terror, the words were hard to comprehend. What wasnât difficult to recognize, however, turned out to be the final words of Melissaâs first interaction with that 911 dispatcher: â. . . He tried to rape me. . . . Iâm bleeding. . . .â
Melissa sounded defeated. At the end. Doomed.
âMaâam, slow down and take a deep breath and repeat what you just said,â the dispatcher said firmly.
â. . . I . . . I . . . he . . . He tried to rape me and I am bleeding very badly.â
âOkay, do you need an ambulance?â
âYes!â Melissa said, and then she broke down into tears.
â. . . Donât hang up.â
âIâm not going to hang up.â
Dispatch asked Melissa if she was calling from an address dispatch had on file already, which she must have gotten from caller ID.
âYes . . . yes,â she said frantically, confirming. âIâm bleeding very, very badly. . . .â
âAttempt rape,â dispatch reported to another person on another line.
âI think he stabbed me,â Melissa said over that.
âOkay, maâam, whatâs your name?â
Melissa gave it.
There was some rapid-fire keyboard tapping while Melissa could be heard breathing deeply, heavily, Darth Vaderâlike, her rate of taking in air becoming slower and slower.
âOkay, maâam . . . Okay, what did he look like?â
âI canât tell youâI was asleep.â Her voice had a terror to it. It was as though Melissa, as she explained it, was just then realizing what had happened and how badly she was possibly hurt.
There was a lot more computer keyboard tapping. Then dispatch said, âThereâs an ambulance on the way to you, maâam.â
âI need the police. . . .â
âI know . . . just stay on the line with me and calm down, okay?â
âI know . . . I know . . . ,â Melissa said through tears, her breathing now terribly labored. She was fading in and out.
âJust stay with me and calm down, maâam.â Dispatch was trying her best to keep Melissa talking, breathing, and alert.
âI am . . . I am surprised I am this calm,â Melissa said.
âWas the man black or white? Could you tell?â
âI have no idea,â Melissa answered.
More vigorous keyboard tapping in between long periods of no talking.
At one point,