she knew something more about you than you did yourself. She was a long, strange-looking woman with narrow hands and feet. Her face, too, was long and narrow and exhausted-looking; even her fair curled fringe looked burnt out and withered. She was the only woman at the Bay who smoked, and she smoked incessantly, keeping the cigarette between her lips while she talked, and only taking it out when the ash was so long you could not understand why it did not fall. When she was not playing bridgeâshe played bridge every day of her lifeâshe spent her time lying in the full glare of the sun. She could stand any amount of it; she never had enough. All the same, it did not seem to warm her. Parched, withered, cold, she lay stretched on the stones like a piece of tossed-up driftwood. The women at the Bay thought she was very, very fast. Her lack of vanity, her slang, the way she treated men as though she was one of them, and the fact that she didnât care twopence about her house and called the servant Gladys âGlad-eyes,â was disgraceful. Standing on the veranda steps Mrs. Kember would call in her indifferent, tired voice, âI say, Glad-eyes, you might heave me a handkerchief if Iâve got one, will you?â And Glad-eyes, a red bow in her hair instead of a cap, and white shoes, came running with an impudent smile. It was an absolute scandal! True, she had no children, and her husband . . . Here the voices were always raised; they became fervent. How can he have married her? How can he, how can he? It must have been money, of course, but even then!
Mrs. Kemberâs husband was at least ten years younger than she was, and so incredibly handsome that he looked like a mask or a most perfect illustration in an American novel rather than a man. Black hair, dark blue eyes, red lips, a slow sleepy smile, a fine tennis player, a perfect dancer, and with it all a mystery. Harry Kember was like a man walking in his sleep. Men couldnât stand him, they couldnât get a word out of the chap; he ignored his wife just as she ignored him. How did he live? Of course there were stories, but such stories! They simply couldnât be told. The women heâd been seen with, the places heâd been seen in . . . but nothing was ever certain, nothing definite. Some of the women at the Bay privately thought heâd commit a murder one day. Yes, even while they talked to Mrs. Kember and took in the awful concoction she was wearing, they saw her, stretched as she lay on the beach; but cold, bloody, and still with a cigarette stuck in the corner of her mouth.
Mrs. Kember rose, yawned, unsnapped her belt buckle, and tugged at the tape of her blouse. And Beryl stepped out of her skirt and shed her jersey, and stood up in her short white petticoat, and her camisole with ribbon bows on the shoulders.
âMercy on us,â said Mrs. Harry Kember, âwhat a little beauty you are!â
âDonât!â said Beryl softly; but, drawing off one stocking and then the other, she felt a little beauty.
âMy dearâwhy not?â said Mrs. Harry Kember, stamping on her own petticoat. Reallyâher underclothes! A pair of blue cotton knickers and a linen bodice that reminded one somehow of a pillow-case . . . âAnd you donât wear stays, do you?â She touched Berylâs waist, and Beryl sprang away with a small affected cry. Then âNever!â she said firmly.
âLucky little creature,â sighed Mrs. Kember, unfastening her own.
Beryl turned her back and began the complicated movements of someone who is trying to take off her clothes and to pull on her bathing-dress all at one and the same time.
âOh, my dearâdonât mind me,â said Mrs. Harry Kember. âWhy be shy? I shanât eat you. I shanât be shocked like those other ninnies.â And she gave her strange neighing laugh and grimaced at the other women.
But Beryl was shy. She never undressed