Second Mencken Chrestomathy Read Online Free Page B

Second Mencken Chrestomathy
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produced, not by men who are hungry, ragged and harassed, but by men who are well-fed, warm and easy in mind. It is the artist’s first duty to his art to achieve that tranquillity for himself. Shakespeare tried to achieve it; so did Beethoven, Wagner, Brahms, Ibsen and Balzac. Goethe, Schopenhauer, Schumann and Mendelssohn were born to it. In the older countries, where competence is far more general and competition is thus more sharp, getting on in the world is often cruelly difficult, and sometimes almost impossible. But in the United States it is absurdly easy, given ordinary luck. Any man with a superior air, the intelligence of a stock-broker, and the resolution of a hat-check girl—in brief, any man who believes in himself enough, and with sufficient cause, to be called a journeyman at his trade—can cadge enough money, in this glorious commonwealth of morons, to make life soft for him.
    And if a lining for the purse is thus facilely obtainable, given a reasonable prudence and resourcefulness, then balm for the ego is just as unlaboriously got, given ordinary dignity and decency. Simply to exist, indeed, on the plane of a civilized man is to attain, in the Republic, to a distinction that should be enough for all save the most vain. Nowhere else in the world is this more easily attained or more eagerly admitted. The chief business of the nation,as a nation, is the setting up of heroes, mainly bogus. Ten iron-molders meet in the backroom of a saloon, organize a lodge of the Noble and Mystic Order of American Rosicrucians, and elect a wheelwright Supreme Worthy Whimwham; a month later they send a notice to the local newspaper that they have been greatly honored by an official visit from that Whimwham, and that they plan to give him a jeweled fob for his watch-chain. The chief national eminentissimos cannot remain mere men. The mysticism of the medieval peasantry gets into the communal view of them, and they begin to sprout halos and wings. No intrinsic merit—at least, none commensurate with the mob estimate—is needed to come to such august dignities. Everything American is a bit amateurish and childish, even the national gods. The most conspicuous and respected American in nearly every field of endeavor, saving only the purely commercial, is a man who would attract little attention in any other country. The leading native musical director, if he went to Leipzig, would be put to polishing trombones and copying drum-parts. The chief living American military man of the 1914–18 crop—the national heir to Frederick, Marlborough, Wellington, Washington and Prince Eugene—was a member of the Elks, and proud of it. The leading American philosopher (now dead, with no successor known to the average pedagogue) spent a lifetime erecting an epistemological defense for the national aesthetic maxim: “I don’t know nothing about music, but I know what I like.”
    All of which can be boiled down to this: that the United States is essentially a commonwealth of third-rate men—that distinction is easy here because the general level of culture, of information, of taste and judgment, of ordinary competence is so low. No sane man, employing an American plumber to repair a leaky drain, would expect him to do it at the first trial, and in precisely the same way no sane man, observing an American Secretary of State in negotiation, would expect him to come off better than second best. Third-rate men, of course, exist in all countries, but it is only here that they are in full control of the state, and with it of all the national standards. The land was peopled, not by the hardy adventurers of legend, but simply by incompetents who could not get on at home, and the lavishness of nature that they found here, the vast ease with which they could get livings, confirmed and augmentedtheir native incompetence. No American colonist, even in the worst days of the Indian wars, ever had to face such hardships as ground down the peasants of

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