lot.â
âThe dead girl was fifteen, sir,â Rutter began crisply. âShe was in her last year at the local secondary mod., had only a few weeks to go.â
He leaned across and handed Woodend a photograph. It was the same one that had been in the
Sketch
, except that in the newspaper they had shown only her face, cutting out the rest of her body and the people standing next to her.
Diane was standing on the beach at Blackpool â he could see the Tower behind her and a donkey just to her left â with one parent on either side. She was wearing a swimsuit that seemed to Woodend to be rather too old-fashioned, too all-enveloping, for such a young girl. Her blonde hair cascaded over her shoulders. She looked pretty, he thought, but then most of them did at that age.
She wasnât smiling, and she wasnât looking at the camera. Instead, her attention was concentrated on her father. What did her expression remind him of? Woodend closed his eyes and tried to conjure up the image.
That was it! Heâd been with the allied army on the push into Germany, a sergeant by that time. His section had been one of the first to reach Belsen. The emaciated faces of the prisoners had been distressing, but it had been the eyes that had really got him â haunted and hunted. Diane Thorburn had eyes like that.
Her fatherâs hand was resting on her shoulder. Woodend knew he couldnât possibly see it in a black and white photograph, yet he
felt
that the hand was not really resting at all. Instead, it was restraining, squeezing the life out of the poor kid.
âI think she was a very unhappy child,â he said.
âProbably, sir,â Rutter replied, as though he thought that while it might not be a stupid remark, it was at best a pointless one.
âYou think the state of her happiness is irrelevant, donât you?â Woodend demanded.
âWell, yes. I mean itâs not as if she chose to be killed and . . .â
âShe may not have chosen it,â Woodend said, âbut she could have invited it. Iâm not sayinâ somebody killed her as a favour, to put her out of her misery, but Iâve come across stranger motives. They might not make sense to you, but Iâve never arrested a murderer yet who didnât think he had a perfectly logical reason for doinâ what heâd done. If youâre goinâ to work with me, youâll have to learn â and learn quickly â that in a murder inquiry we have to take
everythin
â into consideration.â
He could see that he had not got through to Rutter. He was tired of breaking in new sergeants, but if this one was going to be of any use to him, he supposed heâd better try.
âDo you know that in some countries they still use Sherlock Holmes books as police traininâ manuals?â he asked.
âNo, sir,â Rutter replied, puzzled.
âAnâ itâs not a bad idea,â Woodend continued. âThereâs a lot in Conan Doyle â observation, deduction, analysis â but thatâs only half the picture.â He reached into his other voluminous pocket, the one that had not held the sandwich, and pulled out a book. âThey should use this anâ all.â
â
Great Expectations
?â Rutter read, his perplexity deepening. âDickens?â
âOh, not just
Great Expectations
,â Woodend said. âNot even just Dickens, though for my money heâs the best of the lot. Have you read the book?â
âWe studied it in school, sir.â
âYou still remember the story, do you?â
âMore or less.â
âRight,â Woodend continued. âImagine you were dropped in the middle of the book anâ asked to conduct an investigation. Youâd be lost. Why should Pip, a workinâ-class lad, have turned his back on his own folks? How could Estella, a beautiful young woman, be so cold anâ emotionless?â He chuckled.