her face, soft, webbed; but as she stared at the insects inside her brow began to ache as with migraine. She shoved her glasses onto her nose, closed her eyes and drew a long breath; then took a step away from the cage. After a minute she opened her eyes. The headache had diminished to a dull throb; when she hesitantly touched one eyebrow, she could feel the entwined hairs there, stiff as wire. They were vibrating, but at her touch the vibrations like the headache dulled. She stared at the floor, the tiles sticky with contra band juice and gum; then looked up once again at the cage. There was a display sign off to one side; she walked over to it, slowly, and read.
—
CLEOPATRA BRIMSTONE
—
Gonepteryx rhamni cleopatra
This popular and subtly colored species has a range which extends throughout the Northern Hemisphere, with the exception of Arctic regions and several remote islands. In Europe, the brimstone is a harbinger of spring, often emerging from its winter hibernation under dead leaves to revel in the countryside while there is still snow upon the ground.
—
“I must ask you please not to touch the cages.”
Jane turned to see a man, perhaps fifty, standing a few feet away. A net was jammed under his arm; in his hand he held a clear plastic jar with several butterflies at the bottom, apparently dead.
“Oh. Sorry,” said Jane. The man edged past her. He set his jar on the floor, opened a small door at the base of the cylindrical cage, and deftly angled the net inside. Butterflies lifted in a yellow-green blur from leaves and branches; the man swept the net carefully across the bottom of the cage, then withdrew it. Three dead butterflies, like scraps of colored paper, drifted from the net into the open jar.
“Housecleaning,” he said, and once more thrust his arm into the cage. He was slender and wiry, not much taller than she was, his face hawkish and burnt brown from the sun, his thick straight hair iron-streaked and pulled back into a long braid. He wore black jeans and a dark-blue hooded jersey, with an ID badge clipped to the collar.
“You work here,” said Jane. The man glanced at her, his arm still in the cage; she could see him sizing her up. After a moment he glanced away again. A few minutes later he emptied the net for the last time, closed the cage and the jar, and stepped over to a waste bin, pulling bits of dead leaves from the net and dropping them into the container.
“I’m one of the curatorial staff. You American?”
Jane nodded. “Yeah. Actually, I—I wanted to see about
volun teering here.”
“Lifewatch desk at the main entrance.” The man cocked his head towards the door. “They can get you signed up and registered, see what’s available.”
“No—I mean, I want to volunteer here. With the insects—”
“Butterfly collector, are you?” The man smiled, his tone mocking. He had hazel eyes, deep-set; his thin mouth made the smile seem perhaps more cruel than intended. “We get a lot of those.”
Jane flushed. “No. I am not a collector ,” she said coldly, adjusting her glasses. “I’m doing a thesis on dioxin genital mutation in Cucullia artemisia .” She didn’t add that it was an undergraduate thesis. “I’ve been doing independent research for seven years now.” She hesitated, thinking of her Intel scholarship, and added, “I’ve received several grants for my work.”
The man regarded her appraisingly. “Are you studying here, then?”
“Yes,” she lied again. “At Oxford. I’m on sabbatical right now. But I live near here, and so I thought I might—”
She shrugged, opening her hands, looked over at him and smiled tentatively . “Make myself useful?”
The man waited a moment, nodded. “Well. Do you have a few minutes now? I’ve got to do something with these, but if you want you can come with me and wait, and then we can see what we can do. Maybe circumvent some paperwork.”
He turned and started across the room. He had a graceful,