going nowhere, and the rest of it doesn't exist.
Scene XII
BERNIE : So let me ask you something—you don't mind if I get personal for a second, do you?
CAROL : What? (Pause.)
BERNIE : What I want to know is why all of a sudden you come looking for me. And it's not that I'm criticizing you.
CAROL : Why should I think you were criticizing me? Pause.
BERNIE : I mean, I could of come looking for you after you were twenty-one. Not that I was sure how you'd feel about seeing me . . . but you must of felt the same way? No.
I mean, it must of been . . . I'm guessing . . . some kind of decision to get you to all of a sudden come looking for me.
How did you find me?
CAROL : Through the A.A.
BERNIE : And you just kind of decided and sent Gerry over to meet me?
CAROL : Yes.
BERNIE : And why now?
CAROL : I felt lonely.
BERNIE : . . . Oh. ( Pause. )
CAROL : You're my father.
Scene XIII
CAROL : I feel lonely.
Pause.
BERNIE : Who doesn't?
CAROL : Do you?
BERNIE : Sometimes.
CAROL : I feel cheated.
And, do you know what? I never had a father.
BERNIE : Carol . . .
CAROL : And I don't want to be pals and buddies; I want you to be my father.
( Pause. )
And to hear your goddamn war stories and the whole thing.
And that's why now because that's how I feel.
( Pause. )
I'm entitled to it.
Am I?
Am I?
BERNIE : Yes.
CAROL : I am. You're goddamn right.
BERNIE : You know what the important thing is?
CAROL : What?
BERNIE : To be together.
What's past is in the past . . . it's gone.
You're a grown woman . . . I'm on the wagon, your mother's remarried, I got a good job, and there's no reason . . .
I can't make it up to you.
CAROL : Do you have to go to work tonight?
BERNIE : I don't work on Sundays. But Sandy got sick so I was supposed to come in but I called Frank and he told me he'd get someone else to cover so I don't have to go in tonight.
You want to do something?
CAROL : Gerry was . . . he said he'd like it if we went out to dinner.
Would you like that?
BERNIE : Yeah. I'd like that.
CAROL : We could go out by ourselves if you want.
BERNIE : No. It's a good idea I think.
And it's no big thing in any case, right?
CAROL : . . . We could go out, just the two of us.
BERNIE : Whatever you want. What you want, Carol.
That's what we'll do.
Scene XIV
BERNIE : I got you something. Sit down. I'll give it to you.
CAROL : What is it?
BERNIE : I don't know. I found it on the bus.
CAROL : . . . It's beautiful.
BERNIE : Yeah.
CAROL ( reading inscription ): “To Carol from her Father. March eighth, 1973.”
BERNIE : It's my fault. It's not their fault. My threes look like eights.
It's only five days off.
It's the thought that counts. . . .
Ruth told me that you should never give anyone jewelry because then they'll always think they have to wear it when you're around. . . .
So I never gave her any.
CAROL : It's real gold. . . .
Thank you, Bernie.
BERNIE : I'm not going to tell you you don't have to wear it if you don't like it.
I hope you do like it.
CAROL : I do like it . . .
BERNIE : So what's the weather like out there?
CAROL : It's fine. Just a little chilly.
BERNIE : We should be getting ready, no? Shouldn't you call Gerry?
CAROL : Yes.
BERNIE : So you do that and I'll put away the things and then we'll go.
CAROL : The bracelet's lovely, Bernie.
BERNIE : Thank you.
DARK PONY
This play is dedicated to Lindsay Crouse
Dark Pony opened on October 14,1977, in a Yale Repertory production, New Haven, Connecticut, with the following cast:
THE FATHER
Michael Higgins
THE DAUGHTER
Lindsay Crouse
This production was directed by Walt Jones; set by Kate Edmunds; lighting by William Connor.
The Characters
T HE F ATHER
T HE D AUGHTER
The Scene
An automobile.
The Time
Night.
FATHER : Once upon a time there was an Indian.
( Pause. )
In the days when wild things roamed the land, and long before the White Man came here.
DAUGHTER : When was this?
FATHER : A long, long