tightens.
When
you’ve
flown elsewhere, I wonder,
will you notice knots of black wings
making for some distant comfort,
and think of homing rooks and home?
II.
Your age again, I’m all weathers
outside flint-rendered hotchpotch cottage
near woods of towering beech and ash
under rookery flight path, our bowed roof
streaked white from its restless traffic.
Look-outs cling to topmost twigs,
welcome back wandering droves
with all’s-well bark. The sound
of permanence that makes it seem
we’re planted deep in tree-lined shadows,
though I long for roar and swell
of thick-flocking autumnal spates
when cackling jackdaws and shrill crows
join the daily forage, return and squabble
over where to ride out the night.
*
Above us now tail-enders mutter
between wing beats, and I kneel
to help you scrape up our cuttings,
but I’m back among flattened bluebells,
knees black with leaf-mould, to rescue
fledglings flung from nests by gales
before their first, haphazard flight.
Never mind the blank stares and idiot squeals:
they’re slop-fed in boxes by the coke boiler.
Tossed into aerial trials they flounder,
catch the knack, and never look back.
MOUNTAIN SUNDOWN
Low, lingering Norwegian sun
throws a birch pattern
over wood-clad room.
Most ponder their roaming day,
share it with postcards,
scribbling well-used phrases
that insist on being said,
miss the moment’s fullness
when hard, clean light scrubs
crags and brittle crests of trees,
and its slow dwindling unveils
clefts, groins, fine-hatched crannies.
And beyond it all I’m seeing
one distant once-loved woman
sigh before her mirror,
expectant or listless about
an evening out, testing herself
against invasive light,
trying to shun the moment’s weight.
AFTER THE SINGING
She lodged above a freezer shop.
He stood below her on the first dark step
beyond strip lights illuminating bargain buys.
Their concert so long rehearsed
with indifferent voices, was over.
Where should they go next?
Communal zest softened a broken past,
weekly shelter, somewhere to rub shoulders.
She shook and cried. He longed for her
to turn to him, sensing but not seeing
her morbid inwardness and taut temples.
He needed to cherish a crumpled face.
“I’ve been badly hurt. It ruins trust”,
she said. “I’m the one who’s always hurt,”
he said, feeling but not believing it.
Months later caught in the snare
of getting by and tired by devotion
that hadn’t begun to heal her pain
she caught him unawares, hit him,
he felt, with what he’d said too easily,
before they stumbled up those dark stairs.
He traced the mean corners of her mouth,
flinched from a fretful soprano full of rancour,
and to hold his own, crassly declared:
“So...
Tempting fate
is more than just a cliché.”
She consulted her watch, looked away
and said: “at least I’ve let you down gently.”
THE ASSUMPTION
......this
both the yeares and the dayes deep midnight is.
( John Donne: Nocturnal on St Lucies Day)
I watch you
file drudgery away
on the night of the year’s least light.
And I’m happy
for your respite.
Prospero’s staff is broken. Aerial-free you flit
among cabinets, copiers, stationery.
Do I walk with you
in moon-clouded vault
of the year’s midnight, or is it a trance?
Every thought
sways to a dance
as you waver in your tiredness and take a chance
with taunts and hints of affectionate sport.
O we’ve talked,
making every commonplace a comfort,
unquiet encounters this night will now eclipse.
Words cannot distort
heartfelt release
that says in no uncertain terms and not to please,
being loved from head to toe’s your just desert.
But here’s the lamp
where we are duty-bound to part
and night unlighted summons me away
to play another part
wearing hours away,
while you tread a straight, neatly-lighted way
with measured shadows that leave an undivided heart.
O the lamp inquires
and