back!
Everythingâs in ruck and noise, servants and slaves running all over. In the kitchens theyâre breaking their backs to get the cooking done.
Coz Fatherâs home, so weâll be having a feast!
The great doors of the main hall â facing east, facing the sea â is pushed open. I run outside; I want to see Father sailing in. But it seems like everyone whoâs been left behind â wives and concubines, old men and too young â is already out there on the main deckway. Five, six, seven deep against the railing. I try pushing, try jumping up. But the only person who even gives me a look is Ananda, skank wife of Enrique.
She just scowls out, âStop pushing, Zeph, have some respect!â
âRespect you, pig features?â I say, then leg it before she can hit me.
She would never have spoke to me like that if Mother was still alive.
I go here and there behind the crowd, but no oneâs letting me through. And I need to see Father!
A thought comes in my head. Itâs bad, but it gets right in, not letting go.
âSo what if itâs forbidden?â it says. âAinât you the son of the greatest Boss in all the Families?â
I make sure no oneâs checkinâ me, then I pull open the north gate of the wind gallery. Just a crack. Just enough to squeeze through.
I shut it behind me, and Iâm into the dim half-dark of the wind gallery. The spirits will punish me for sure â bad dreams, bad luck, bad skin. And Iâll get a nice beating if Ims catches me. But who cares?
All four windgates are shut, the red spirit-flags hanging limp, but the willow lattice walls let in light through cracks in the weave. North, all I can see is the crowd on the deckway. South is the marshes, curving away into green. West is the carved wooden walls and high thatched roof of Fatherâs hall, but east, toward the sea, is all specks of blue â dark sea below, light sky above. And thereâs a bit of red.
Red sails. Fatherâs dragonboat!
I get quick to the northeast corner, press my eyes to the gaps. And now, through the blurry pattern of woven willow stems, I can see Father coming home.
Itâs quiet in the wind gallery, even with the whole Family right near me on the deckway. Only the
splash, splash
of water beneath the hall, lapping at the stilt-legs, and the wind spirits brushing and breathing against the wind-gallery walls. But Iâm all right, they canât get inside unless the gates is opened.
This is a good spot. Through these little holes I can see everything: the seven islands that sit between the hall and the open sea; the sea channels â wide and sky-gleaming now the tideâs full in; the reeds flicking waves of green across the marshes.
Most important, though, I can see Fatherâs dragonboat. Red sail billowing, red flags fluttering, shields stacked at her prow. The foredeckâs like a forest of swords; even from in here I can hear the cheers of the warriors.
Which means success!
Everyone on the deckway is cheering as well now. But I have to keep my mouth shut â I donât want Ims finding me. Or worse, the Windspeaker. Heâd spike me for sure!
Fatherâs ship cuts easy through the water, the dragonhead carved in her prow snarling and showing its teeth.
âMedwin! Medwin! Medwin!â shouts the crowd on the deckway.
âAngel Isling! Angel Isling!â shout the warriors on Fatherâs warship.
Boss and Family.
Which is everything that matters.
The dragonboatâs red sail is being furled, but sheâs still sliding through the water. Thirty long oars lift and pull with a creaking, splashing sound â like insect legs, powering her along. The holes in the lattice wall ainât showing blue or green now, just the brown and red of Fatherâs boat. And the shining steel of the warriorsâ swords, and the red of their leathers, and the dull gleam of the helmets and armor.