reality shows, and became an overnight success as a result. Kill âEm All
had a deal going with Mr. Burl: we sent him free rat traps in exchange for half-price takeout for all KEA employees.
None of us had ever been to Mr. Burlâs home before. Ansel and I figured it was no big deal. We met him outside his building. He gave us the keys, said he was heading to Vancouver for a weekend ârendezvous.â We let ourselves into his apartment, and honest to God, the guy had swastikas all over the place. I mean
everywhere
. On the walls, on the lampshades, on the floor tiles. He even had a framed portrait of Adolf Hitler in his living room. It was like walking into a miniature Nazi museum.
I remember the expression on poor Anselâs face â sheer bewilderment. He was Jewish. I can only imagine how he must have felt, standing in that place in his mustard-brown uniform, a dented can of bug spray hanging at his waist like a gun. I remember thinking: if I were him, Iâd trash the place. But Ansel was one of the most mild-mannered guys Iâve ever known. I told him he didnât have to stay, and after his shock wore off, he took me up on it and left. I finished the job myself, suppressing the urge to poison the food in Mr. Burlâs fridge.
A week later, Ansel quit. I didnât blame him. He and his girlfriend moved into her parentsâ place in some suburb of Toronto. A few days after that, rumour got around that Mr. Burl had been shot and killed in a church basement poker game out west. His restaurant was turned over to his sister, and our rat-traps-for-takeout deal came to an end. I never told my boss what I saw in Mr. Burlâs apartment, and I donât think Ansel did either. It was sort of an unwritten rule in the pest control business that we turn a blind eye to our clientsâ lives, no matter how troubling or strange â or alluring.
That rule was on my mind the next morning as I lay in bed, thinking about the fumigation at Melanieâs apartment. Iâd snooped around a bit. I hadnât been able to resist.
âJust gonna use the bathroom,â Bill had said, as soon as we stepped inside. âThat pastrami sandwich isnât agreeing with me.â He hustled down the hallway, keys jingling.
âTake your time.â
The place was small. Cozy. There was something distinctly masculine about it: posters on the wall for
Pulp Fiction
and
The Shining
, empty beer cans on the duct-taped coffee table. A TV plunked on a sagging milk crate. An Xbox and a small pile of video games on the floor. Curtains fashioned out of faded bedsheets. An old sweatshirt slung over a lampshade. A mountain of unwashed dishes in the sink.
I could hear Bill grunting away in the bathroom, the spillage of his guts. I knew I had more time to look around, so I made my way to the bedrooms down the hall.
The first door I came to had a No Exit sign nailed to it. Written below the sign in black marker was the phrase
The truth is rarely pure and never simple
â Oscar Wildeâs words, though I didnât know that at the time. I did know, right away, that this was Darcyâs room. It smelled of wet dog and masturbation. The mess was similar to the one in the living room: two empty beer cans on the nightstand, dirty socks and underwear on the floor. Something resembling a cross had been crudely spray-painted on the wall above the crusty futon bed.
Across the hall was a plain white door. It was closed. I put my hand on the knob. My palms were moist. I bit my lip and entered.
Melanieâs room smelled of sharp cloves and candle wax. The walls were painted a deep blue and had been decorated with an intricate collage of Polaroid photographs. One of the pictures showed Melanie in a thin white tube top and red short shorts. She held a cigarette in one hand and a half-drunk bottle of vodka in the other. She was walking along the seat of a park bench as though it were a tightrope. Her eyes were