look up at the marquee, the thousands of bulbs ignite into a rolling upward wave of lit color that runs from the base to the tip before spurting confetti into the air above us. I watch it rain onto my palm as I try to erase the image of my father making porno movies in some attic.
âBefore he went and plugged this thing in, the Marion was just like my fatherâs old theater. All these along here, all just grand old cinemas before and into the war.â
A blonde Hispanic girl walks past us and smiles as if she knows my father.
âTake it in, kid,â he says, lifting his box from the ground. âTake pictures. Because one day soon, just like me, itâs
all
gonna disappear.â
âYou busy?â the girl says to my father.
âTake a hike.â
Thick white steam rises from the manholes and taxis sail through it, dragging it on their way down Broadway. Across the street is an old synagogue and next to that is what my father calls a âtit joint,â the Pussycat Lounge. I smell boiling hot dogs and pretzels as a man right next to us takes a leak on a phone booth. I follow my father down the street. It starts to drizzle and then rain so I put my box on top of my headand we walk three more blocks, past pinball arcades and bars and dozens of neon twenty-five-cent peep-show signs. When I see an evangelist on an upside-down milk crate, I put the box down to take his picture.
Click
. He waves a tongue-depressor crucifix and talks directly to the sidewalk. Behind him is a bag lady with brown Magic Marker eyebrows. She smiles for the camera; her gums are tan.
Click
. When we get up to Forty-eighth and Eighth, we stand outside the Imperial and look at the marquee above the entrance. Today, the cinematic lettering reads INTERNATIONAL BURLESQUE SENSATION BRANDI LADYâMAY 3, 4 AND 5 . Under that it says, HALF-PRICED WELL DRINKSâTUES. TILL CLOSING . My father and I cross the street to the front doors, where a man with a mustache is pulling on the locked door.
âNot open yet,â my dad says. âEleven oâclock.â
âYouâre the owner,â the man says. âYouâre Marty, right?â
My dad nods.
âI hear youâre fuckinâ the help, ya lucky Jew bastard.â
My father puts his box on the curb. âWhatâd you just say?â
âBrandi Lady,â he says. âArenât you and her doinâ theââ
âHey
dick
head!â my dad says.
I put my hand on his shoulder. âDad?â
âThis is my
son
. Okay,
prick
? My son. You talk to me like that in front of my son?â
âJust let it go, Dad.â
âI didnât know he was your boy, Marty.â
âSo you call me a Jew bastard? Who the fuck are you?â
He glances at me. âNobody,â he says. âJust a kike from Queens.â
My father puts his hand on the manâs chest and lightly shoves him backward. âHave some manners,â he says.
Thankfully, my father unlocks the door and weâre in the lobby. The first and only time I was here, the other night, there was a party in this room for my fatherâs partner, Ira Saltzman. Now, empty, I see a much larger space than I thought, with its own chandelier that sparkles over the faded red carpet. Thereâs a small man on his knees with a bucket near the ticket booth.
âToilet overflowed,â he says to my father. âSomeone crammed a diaper in there and kept flushinâ.â
âA
what
?â says my father.
âHi, Iâm Jocko,â he says to me. Jockoâs right eye wanders and the knees of his black pants are soaked with toilet water.
âIâm David.â
âMartyâs boy?â
I nod.
âI heard you were here the other night.â
âJust for a few minutes. My dad had toââ
âIs that him, is that David Arbus?â A huge black man with a giant bald head walks up to me. He offers his hand. âLeo.