gave her some time to regain control.
âDid you come to this morningâs rehearsal together?â
âOf course not! I took a cab from his place around nine oâclock and went home to change clothes.â
âThen you came here.â
She just kept from rolling her eyes. âWe had a rehearsal.â
âDid you speak to him at all after you left his apartment?â
âNo.â
âYou had no communication whatsoever? You didnât, for instance, go up to his office during the break?â
She looked really horrified. âAre you suggesting I murdered him?â
âIâm only trying to find out what happened. You were intimate with the man. Itâs a logical question.â
âNo! I didnât go to his office. Luigi was in a very bad mood. I stayed in the rehearsal room to practice. Ask anyone in the orchestra. I was there for the entire break.â
âWe will be asking.â
âEveryone stayed either in the rehearsal room or the corridor outside. Some would have used the restrooms, I suppose. The break was only supposed to be a short one. We all stuck close by.â
âNo. One of you was up in Spadafiniâs office, strangling him.â
Sofia Barna put her hand to her mouth and bolted from the stage.
CHAPTER EIGHT
P ratt stood in the doorway to the dead conductorâs office again. In the hall behind him, the ambulance crew was waiting impatiently. It was nearly time to remove the body.
The Scene of Crime team had marked a number of things too small to see on the floor. With numbers beside each one, a team member was busy snapping photos. Two more were dusting the window frames for prints. The gray powder they used completely covered the desk. The team leader was crouched over the body watching the medical examiner do his thing.
Pratt called to the team leader, a man he knew well. âFrank, can you spare a minute?â
Frank Johnson walked to the doorway. âWhat can I do for you, Pratt?â
âHow far have you gotten?â
Pratt braced himself. Johnson, known as a bit of a wiseass, liked to answer questions with song titles. He didnât disappoint.
âWell, Iâll tell ya, it seems to be a case of âNothing from Nothing Leaves Nothing.â Whoever did the deed didnât leave much behind as far as we can see.â
âNo fingerprints?â
âNot many. Mr. Conductor Man over there seems to have been a bit of a neatnik. According to that guy Browne, the office would be cleaned at least once a day.â
âNot many? I suppose youâre going to have to fingerprint that whole crew in the basement, arenât you?â
Pratt sighed. âI suppose it will come to that. How about the body and the murder weapon?â
âWeâre not going to get anything out of the murder weapon, if I know my job. I found a few smudges consistent with gloves. Hard to tell what kind. Weâll check for residue, but it will take time.â
âAnd the body?â
âThereâs a bruise in the center of the guyâs back consistent with somebody leaning on him with one knee and pulling back. That metal cableââ
âCello string,â Pratt added absently.
âRight. Your young assistant told us thatâs what it was. Anyway, the cello string dug into the guyâs throat pretty deeply. A lot of bruising there.â
Pratt and Johnson were joined by the medical examiner. âDeath would have been pretty quick with that type of ligature,â he told them as he peeled off his latex gloves. âJust the amount of time it took the victimâs lungs to run out of oxygen.â
âAnd those drum mallets used to secure the ends of the cello string?â Pratt asked both of them.
The medico answered. âIt would have been hard to hold a small cable like that really tight with bare or even gloved hands. Quite ingenious to use those sticks, actually. The murderer could make