expressions and good pectorals, of half-naked Mexican girls with nothing to do but smolder. And one painting of two small commercial fishing boats in a bright, choppy sea.
Small boats, much sea. The water bounced and glistened and frothed; it was alive. The picture was no bigger than a place mat. âNow where the hell did
that
come from?â she asked.
âOh â¦â The owner squinted at it. âShe lives over in Mexico, some no-account two-bit village. Canât paint worth a damn. See? All spots and speckles. Never sells.â He turned the picture over. âPrincess Chuckling Stream. Pureblood Comanche, she says.â
âGot any more?â
He found a box on a shelf with six more, all place-mat size. âDonât get your hopes up,â he said. He leaned them against the wall. Three seascapes, a mountain stream with snow, a blurred face seen through a rainy window, city kids dancing in the wild spray from a fire hydrant.
âThese six and the fishing boats,â she said. âTwo hundred dollars.â
The owner was in no hurry to agree. He stood, knees slightly bent or maybe the legs were straight and the pants were bent, and he picked flakes of dead skin off his finger ends. That took all his attention.
âSay what,â he said. âHereâs a better deal. Four hundred, anâ I throw in the John Wesley Hardin, a Pancho Villa, and a General Black Jack Pershing who chased Villa all over New Mexico, never caught him.â
Julie badly wanted the seven Chuckling Streams, and just as badly she hated the rest. She looked at Luis for help. But Luis had wandered off and was peering into the back room. It was half-full of motorbikes and bits of bikes. Scramblers, racers, even a sidecar model. Faded posters on the walls. Yellowed newspaper cuttings hung from thumbtacks. âIsnât that a Triumph?â he asked, confidently. The machine certainly wore the Triumph logo. âDo you still race?â
âAny chance I get. You only live once.â
âHow very true. My guess is â¦â Luis stood very still and spoke softly. âArt is not your first love, sir.â
âBrother died. Left me this place. Still got a year on the lease. Donât like to see it wasted.â
âIâll give you eight hundred dollars for your stock and whatâs left on the lease,â Julie said. âAnd you can keep your motorcycles in back, if you want.â
âYes, maâm.â They shook hands on the deal.
There was no typewriter. Julie wrote out two brief Statements of Sale in longhand and they all signed both copies. âHot damn!â she said. âWe own an art gallery! Ainât that somethinâ?â
âIâm too full to speak,â Luis said. âParalysis caused by shock. We came in for a pint of milk and we bought the dairy.â
âChuckling Stream, kid. Sheâll chuckle us to the bank.â
Frankie Blanco saw them come out carrying a small box. They drove away. He waited thirty seconds and then went into the store.
âAll sold,â said the owner. Ex-owner. âNothinâ left.â
âSure, no problem. Gonna meet my friends here, got held up, kinda late, so ⦠Was that them just left? I saw a couple drive off.â
âWhat can I tell you?â He picked up the Statement of Sale. âJulie Conroy, Luis Cabrillo. Mean anything?â
âYeah, sure. Conroy, Cabrillo, thatâs them. Just my luck. Howâs your luck? They buy anythinâ?â
âLook around you, pal. They bought the store.â
Frankie went and sat in his car, found a ballpen, wrote their names on his arm before he forgot them. Worrying made him light a Pall Mall. See here. A car with New Jersey plates drives two thousand miles to hassle him in Truth or Consequences, a nowhere place nobody in Jersey ever even heard of. Cabrillo sounds Italian. Cuban, maybe. Damn Cuban hoods were all crazies,