shock.)
An accident—you broke your neck? Your back?
Shameful I don’t remember—and for three
years you’d take a detour to avoid
the sight of it: that swinging, high red light
somebody ran, that road that crossed a road.
A run-through of the sped-up, drawn-out second
of terror before your second, actual end.
Swinging past the turnoff to your clinic
today, I saw I’d never choose to drive
that street again; would steer around the panic
rather than fail to find you there alive.
8.
Notice—but you can’t—I don’t write your name.
People aren’t characters.
Here’s my concession
(small) to that view, and your need of privacy
which, I suspect, went beyond your profession.
When I knew you—no, you knew
me
—I’d missed the easy
truth we had acquaintances in common.
(A good thing, probably, I’d been too dim
to ask you; you too classy to let on.)
Nor did I find the public facts in print
(
age 53, father of three, an active
member of his church
) until you’d long
been dead. That July I came and went.
You reached me in a place I don’t belong—
seventeen months later, Christmas Eve.
9.
I’d got there early, casually saved a front
pew for the whole family with some flung
mittens and hats. (In gestures we assume
the shoulder-to-shoulder permanence of home.)
Shouldn’t we come more often? “The Power of Love”:
our sermon. A list called “Flowers in Memory of”
on the program’s final page. I was feeling faint.
Your name. Your father’s name? Something was wrong.
I knew it was you. The church was going black.
Head down: my first anxiety attack
since the bad old days. Your face at the restaurant.
My plate heaped up with food I didn’t want.
Keep the head down. People would be saying
to themselves (and close enough) that I was praying.
10.
Revise our last encounter. I’d rather say
it was that day a decade ago we made
a formal farewell: I was going away
on a long trip. If I needed you, I said,
when I got back, I’d be sure to give a call.
You stood up, and I finally saw how tall
you were; I’d never registered how fit.
Well, all we’d done for a year was talk and sit.
Paris,
you said. Then, awkwardly,
Lucky you.
Possessor of my secrets, not a friend,
colder, closer, our link unbreakable.
Yet we parted better than people often do.
We looked straight at each other. Was that a smile?
I thanked you for everything. You shook my hand.
For Emily at Fifteen
Sirens living in silence, why would they leave the sea?
—Emily Leithauser
Allow me one more try,
though you and I both know
you’re too old now to need
writing about by me—
you who composed a sonnet
and enclosed it in a letter,
casually, with family news,
while I was away;
who rummaged in convention’s
midden for tools and symbols
and made with them a maiden
voyage from mere verse
into the unmapped world
of poetry. A mermaid
(like Eve, you wrote—a good
analogy, and yet
your creature acts alone)
chooses to rise from wordless
unmindful happiness
up to the babbling surface
of paradox and pain.
I whose job it’s been
to protect you read my lesson:
you’ll wriggle from protection.
Half-human and half-fish
of adolescence, take
my compliments, meant half
as from a mother, half
one writer to another,
for rhymes in which you bury
ironies—for instance,
sirens
into
silence;
and since I’ve glimpsed a shadow,
forgive how glad I felt
when I set down your sonnet
to read your letter again
with only silliness in it,
the old tenth-grade bravado:
“Oh well, I bombed the chem test.
Latin’s a yawn a minute.”
Midsummer, Georgia Avenue
Happiness: a high, wide porch, white columns
crowned by the crepe-paper party hats
of hibiscus; a rocking chair; iced tea; a book;
an afternoon in late July to read it,
or read the middle of it, having leisure
to mark the place and enter