the edge of the cordon, noiselessly, with a certain respect. Somewhat frustrated, perhaps.
And the taste of the cigarette in my mouth, rough on my palate, reminds me that I haven’t eaten anything since breakfast, that Aída and I meant to have lunch together but we couldn’t decide, lunchtime passed, and I was still hungry, even more so after the joint.
The too-young father and his daughter in the yellow bikini must be munching their pizza in front of the television by now, while they tell the young mum about the time they wasted in vain at the foot of the bridge. And if I leave, I’ll buy a pizza on the way and surprise Aída.
But just then, as I’m about to go, the old woman with the scarf grabs my arm, gesturing upwards with her nose. Look there, behind, the one next to the one with the flashlight, see? the woman says to me in a low voice, as if there’s any way he could hear her. Yes, I see, one of those crouched down a few metres behind the jumper, positioned on a higher beam, either because he has taken the decision alone or because he has received a signal from the head of operations, moves, only just at first, then suddenly tries to catch the smoking figure with a swipe that doesn’t quite reach, and everything that follows is too quick, too inconceivable. For the last time, the guy, or girl, hesitates. The glow of the cigarette can no longer be seen, he lets go with one hand, swings a leg over the rail and, just in time, before they can grab his other arm, he lets go and falls: he is falling.
Here, love, the old woman orders me as she covers her eyes with the scarf and pulls on my shoulder: Don’t watch, love, you’ll never forget it, ever. And yet I watch, I can’t stop watching. And I follow the fall with my head, my legs that bend by themselves, and the rest of my body that crumples without letting go of the railings. And in four seconds, not too fast, not too sudden, he gives a single twist in the air, turns face down, spreads his arms and legs, and slams against the sheet of putrid water which, with the impact, seems more like metal than liquid. Like a toppling crane or falling bell tower whose echo rolls on and on, further and further away.
Between my eyes and the rippling black water, my left arm crosses my face, wanting to obscure my vision, but only showing me my watch: nine forty-five. Quarter to ten, not a minute more, not a minute less.
I’m almost sitting on the ground, I don’t know how I ended up so low down. I straighten up. The other one doesn’t surface. Instead, bubbles cluster around the hole into which he vanished, either because he’s still breathing, or because the river has swallowed him and is now belching.
My gaze shoots upwards again, the three firemen are still in the same position as they were a minute ago. One shines the flashlight downwards. And for an instant, the rings of light seem to go crazy, darting all over the place, eventually getting lost in the overcast sky, as dark as the river.
Here below, more directionless than ever, the crew on the vessel, no longer receiving the encouragement of their superior, are attempting an impossible, labyrinthine, futile course. One of them holds a lifebelt of almost phosphorescent orange tied to the boat by a white rope, and, as a gesture, he throws it into the water. He doesn’t know where or to whom.
On the other bank, a boatman, who has followed the action from the island half erased by the night, launches his dinghy to help in the rescue. To no avail, because the coast-guards, protective of their official capacity, send him away with a gruff shout, to which the boatman responds with insults as he withdraws.
The old woman retied the scarf she had used to cover her eyes, and refastened a shoe that had somehow come off during the fall, and once more she grasps my arm: You’ll see, dear, I told you, you’ll never get that image out of your head. She lets go of me and departs, annoyed.
The boatman, still in the dinghy