withfatigue. Reilly’s familiar bulk stands under the halo
of light cast by the bare bulb above his head.
‘Reilly? What is it? What are you
doing here?’
‘I tried calling but your phone is
switched off.’
‘It’s the middle of the night,
for Chrissakes!’
‘It’s eight a.m., Katie,’
he says, a wrinkle of concern in his voice. ‘Are you okay? I can’t say you
look it.’
‘I’m fine,’ I reply,
embarrassed now, pulling my robe tight around me.
‘You didn’t come back to the
office yesterday.’
‘I was sick.’
I turn away and let him follow me into the
flat, hear him closing the door, before he joins me in the kitchen. I flick on the
coffee machine, then rest my head on the counter, feeling the ache that stretches from
my temples to the small of my back.
I can feel him watching me, so I straighten
and busy myself with making coffee because, even though I like him, it feels strange to
have Reilly in my kitchen. He’s unlike most of the men who have witnessed me
making morning coffee in my bathrobe. Thick hair the colour of oatmeal, a reddish tinge
to his beard, which fails to hide the deep lines on either side of his mouth, or the
amusement that animates his face. Black leather jacket, grey shirt, faded blue jeans –
the hack’s uniform: all of it out of place on him, somehow. I like to imagine that
when Reilly goes home, he dons a smoking jacket and velvet slippers.
He accepts a mug of coffee, then casts his
eyes around my apartment. It’s all pitiful enough – two rooms painted in pastel
shades, a galley kitchen and a bathroom the size of a cupboard, books stacked
precariously against the walland house-plants
at different stages of decay. This has been home to me for the past four months, two
rooms in a three-storey Edwardian red-brick villa, its façade tired and unloved, in the
heart of Dublin.
‘When did you start doing house-calls,
Reilly?’
‘You’re my first
patient.’
‘Lucky me.’
‘I was worried, Katie. The way you
left yesterday –’
‘I was sick …’
He fixes me with a look that reminds me
suddenly and painfully of my father.
‘Listen, Katie,’ he says, his
voice lowered. ‘What happened yesterday … We were all appalled, repulsed by the
thought of some sicko trying to squeeze a few quid from us for pictures of a corpse. But
you … you were white as a sheet. And while the rest of us were discussing it, you bolted
from the room, hardly stopping to pick up your bag. Eddie at the door said he’d
never seen anyone take off out of there and across into Mother Kelly’s as
fast.’ He pauses. ‘But, they were just pictures, Katie. And not the worst
you’ve seen. You’re a tough cookie. Why did they upset you so
much?’
I couldn’t tell him. It would mean
peeling away all the layers until we got to the one dark place I didn’t ever want
to shine a light on. ‘Listen, Reilly,’ I say. ‘I appreciate your
concern, really I do. But I’m fine. Honestly.’
He looks at me in that considering way of
his. ‘There’s something else,’ he says. ‘Luke Yates.’
The way he says it makes the words dry up
inside me. I see the hesitation on his face and it sends a jolt of alarm right through
me.
‘What?’ I
ask.
‘You haven’t heard.’ A
statement, not a question.
‘Tell me.’ My heart is
pounding.
‘I’m sorry to do this,
Katie,’ he says softly, ‘but Luke Yates is dead.’
2. Nick
The cufflinks, slightly tarnished, sit on a
bed of cushioned black velvet in a matching black box. They’re old, but the box is
new and this makes me think of Julia. My guess is that it was she who packed them so
carefully for their journey, even though the gift is supposedly from Luke. Had it been
up to him, I’m sure my brother would have slipped them into an envelope, sealed
and addressed it, then hoped for the best. I hold them up to the light, my hand