skate, upon the water! Now the frail
bark which sustains him becomes visible, a very nutshell of a boat, a
hollow fish; three strips of bark fitted together (one for the bottom
and two for the sides), and strongly fastened at either end by cord well
smeared with bitumen. The man stands erect, with one foot on either side
of this fragile vessel, which he impels with a single oar that also
serves the purpose of a rudder; and although the royal cangia moves
rapidly under the efforts of the fifty rowers, the little black bark
visibly gains upon it.
Cleopatra desired some strange adventure, something wholly unexpected.
This little bark which moves so mysteriously seems to us to be conveying
an adventure, or, at least, an adventurer. Perhaps it contains the hero
of our story; the thing is not impossible.
At any rate he was a handsome youth of twenty, with hair so black that
it seemed to own a tinge of blue, a skin blonde as gold, and a form so
perfectly proportioned that he might have been taken for a bronze statue
by Lysippus. Although he had been rowing for a very long time he
betrayed no sign of fatigue, and not a single drop of sweat bedewed his
forehead.
The sun half sank below the horizon, and against his broken disk figured
the dark silhouette of a far distant city, which the eye could not have
distinguished but for this accidental effect of light. His radiance soon
faded altogether away, and the stars, fair night-flowers of heaven,
opened their chalices of gold in the azure of the firmament. The royal
cangia, closely followed by the little bark, stopped before a huge
marble stairway, whereof each step supported one of those sphinxes that
Cleopatra so much detested. This was the landing-place of the summer
palace.
Cleopatra, leaning upon Charmion, passed swiftly, like a gleaming
vision, between a double line of lantern-bearing slaves.
The youth took from the bottom of his little boat a great lion-skin,
threw it across his shoulders, drew the tiny shell upon the beach, and
wended his way toward the palace.
Chapter III
Who is this young man, balancing himself upon a fragment of bark, who
dares follow the royal cangia, and is able to contend in a race of speed
against fifty strong rowers from the land of Kush, all naked to to the
waist, and anointed with palm-oil? What secret motive urges him to this
swift pursuit? That, indeed, is one of the many things we are obliged to
know in our character of the intuition-gifted poet, for whose benefit
all men, and even all women (a much more difficult matter), must have
in their breasts that little window which Momus of old demanded.
It is not a very easy thing to find out precisely what a young man from
the land of Kemi, who followed the barge of Cleopatra, queen and goddess
Evergetes, on her return from the Mammisi of Hermonthis two thousand
years ago, was then thinking of. But we shall make the effort
notwithstanding.
Meïamoun, son of Mandouschopsh, was a youth of strange character;
nothing by which ordinary minds are affected made any impression upon
him. He seemed to belong to some loftier race, and might well have been
regarded as the offspring of some divine adultery. His glance had the
steady brilliancy of a falcon's gaze, and a serene majesty sat on his
brow as upon a pedestal of marble; a noble pride curled his upper lip,
and expanded his nostrils like those of a fiery horse. Although owning a
grace of form almost maidenly in its delicacy, and though the bosom of
the fair and effeminate god Dionysos was not more softly rounded or
smoother than his, yet beneath this soft exterior were hidden sinews of
steel and the strength of Hercules—a strange privilege of certain
antique natures to unite in themselves the beauty of woman with the
strength of man.
As for his complexion, we must acknowledge that it was of a tawny orange
color, a hue little in accordance with our white-and-rose ideas of
beauty; but which did not prevent him from being a very charming young
man, much