Victorian dollhouse, a collection of antique Japanese pots; on a table nearby was a draft manuscript of T. S. Eliotâs Four Quartets, mounted under a Plexiglas cube. While most folks in the room were chattering away about things like Broadway openings, beach houses, and skin treatments, some were focused on a TV newscast flickering from a screen tucked into a bookshelf, showing the fleshy, college-boy face of Henderson McCaw, the nationâs newest demagogue. It was a broadcast that had been promoted for days in the media. A radio-talk-show-host-turned-TV-personality-and-populist-hero, McCaw had recently emerged a self-appointed champion of what he called âAmericaâs God-given right to listen to itself.â He was interviewing a newly elected conservative senator from the Midwest, a former beauty queen who was rumored to be considering a run for the presidency.
âI donât mind using the word âabominationâ to describe same-sex marriage, because thatâs what I think it is,â said the senator.
âAnd thatâs why we love ya,â said McCaw. âYou tell it like it is.â He smiled and lit up the screen with a parody of cheer that seemed as needy as it was undergrad.
Not that McCaw was stupid or unsophisticated. His quick rise to prominence proved he was anything but. Somehow, more effectively than anyone else since McCarthy, McCaw had been able to exploit that enduring strain of the American psyche that is sometimes truly revolutionary, sometimes merely crankyâa strain that seeks always to get some real or imagined oppressor off the backs of decent people. He claimed several million followers and had begun appearing at rallies that were more revivalist than political in feel. âShove it!â was McCawâs take on anything established, though the last thing he and his people seemed to call for was systemic thinking about social or economic realities, or careful analysis of exactly what to shove, and where, and how far, and why. McCawâs power was to mobilize a single emotion: the nostalgia for a simpler America that was either long gone or never existed. And that was more than sophisticatedâit was priestly.
âAnd you go all the way, donât you, Senator?â said McCaw. âYou want to roll back civil unions and the legal benefits that go with them.â
âThatâs right, Henderson, and for the same reason,â said the senator. âI just feelâwell, you know a lot of us feelâthat we have to take America back.â Some of the guests in Jonathanâs library booed, in a light, party-friendly way.
The senator was wearing a red suit; McCaw was in dark blue. Behind them, through a large window, across a body of water, was the Statue of Liberty. The interview was apparently being televised from a makeshift studio or visitorsâ center on Ellis Island or somewhere in New Jersey.
âWhat does that mean, âTake America backâ?â declared one of the guests, a gray-haired lawyer in a suit and bow tie whose name Peter couldnât remember. âTake it back from whom, from what?â Some of the others laughed. âFrom the present day? From a nation of 320 million people? Why not take America back to the Stone Age?â More laughter. Then the lawyer turned to his partner who, like him, was wearing a bow tie. âIt sounds like what hawks used to say about Vietnam: âBomb them back to the Stone Age!â â
The lawyer saw that Peter had overheard this last remark.
âRight?â he said. âWhat a dope.â
Peter smiled back.
âYouâre right,â said Peter. âBut he is a dope with an audience. Heâs reaching people.â
âWith pure ignorance,â said the lawyer.
âWell, yeah. But ignorance is real, sadly,â said Peter. âItâs powerful.â
âLook at him,â continued the lawyer. âWhere is that, Liberty State