entry that way. Which meant he was either out of London or ex-directory. It never occurred to me that he wouldnât have a phone at all.
I pushed the book down on to the floor and called a girl called Pat whom I knew and who worked on the local exchange. If my memory was right she would be working late and she was. A very regular girl, Pat, which was just as well in itself.
We worked our way through the I havenât seen you for a long time, Iâve been busy Iâll give you a call as soon as Iâm free stuff and then she asked me what I wanted.
I told her.
I heard her swear at me half under her breath and thought for a moment she wasnât going to play. But a couple of minutes later she read the number out to me.
âWhereâs that?â I asked.
âRichmond somewhere.â
âOkay, thanks a lot, Pat. Iâll ⦠â
âYou listen to me, Scott,â she interrupted. âIâm fed up with conducting our relationship strictly in terms of what information I can feed you with over the telephone. Iâm beginning to feel like the speaking clock. I think itâs your turn to feed me.â
There was a slight pause during which I could hear her breathing. âWhat with?â I asked.
âTo start off with a nice juicy steak and a bottle of wine. And then you can take me dancing. Itâs a long time since I went dancing.â
âAll right, Pat,â I promised. âThe next time I call it will be to fix a date.â
âIt had better be,â she said and broke the connection.
I dialled the number she had given me and it rang a lot of times before anyone came to answer it. It was a womanâs voice: smooth, assured, cultured. The sort who always gets to stand in the royal enclosure at Ascot and picks the winner as well.
âMrs Murdoch? Mrs James P. Murdoch?â
A few seconds of hesitation, then the answer came with thoroughbred assurance. âThis is Mrs Murdoch. Who is that calling?â
âMy nameâs Mitchell. Scott Mitchell.â
âThe name means nothing to me Mr Mitchell. With whom did you wish to speak?â
I liked the with whom. I said, âIs Mr Murdoch there?â
âDoes that mean you want to speak with him?â
âCould be,â I said. âOr it could be I want to make sure heâs out of the way before I start chatting you up over the phone.â
âI presume youâre joking.â
âWhy presume? With a voice like yours it must happen all the time.â
I waited for the line to go dead, but it didnât. After a while she said, âHow did you get this number, Mr Mitchell? It is ex-directory, you know.â
âYes, I know.â
âWell, are you going to tell me how you came by it?â
âPerhaps I saw it written on a wall somewhere. Who knows? Are you going to tell me whether your husband is in or not?â
âMy husband is out.â
âWhen will he be back?â
âI have no idea.â
âWell, is he anywhere I can get in touch with him?â
âI have no idea of his precise whereabouts either.â
âHe is your husband?â
âMr Mitchell, I donât know why I persist in talking to you in this inane and undignified manner instead of putting down the receiver.â
âThatâs right,â I agreed. âNor do I. Itâs interesting; isnât it? Maybe you get fed up with talking broken English to the au-pair and reading last monthâs âHomes and Gardensâ.â
She might have laughed. Then again, it could have been interference on the line. She said, âActually, it was âHarperâs and Queenâ.â
âWould it be worth my trying again later? To talk to your husband, I mean?â
âIt might and it might not.â
âYou mean sometimes he doesnât come home nights?â
âHeâs a grown man, Mr Mitchell, and he does as he pleases.â
âIf I