lifeline. Itâs been a habit for as long as he can remember. As a boy, in his first foster home, heâd noticed the cross there, with him always. As though he carries God in his hand.
Across from him on a sofa, Hannah sits curled up on the cushions. Her green eyes are wide, her tangle of red hair loose down her back. A beautiful child, though at eighteen, a child no longer. Sheâs been with him ten years, since the Planes Fell. Itâs hard to believe sheâll soon be his bride, but forty-Âfive seems a good age to marry. He follows her gaze to the large wall monitor. The audio is muted, but breaking news streams live from a bombing. Ambulances and fire engines are parked behind a reporter as Âpeople in uniform run this way and that. Yes, this morning God was with Scott Durgin, the evidence a blackened crater in Bostonâs Liberty Party headquarters. It reminds him of the tomb from which Jesus emerged, born again. He closes his eyes in a silent prayer of thanks.
âYou send him, Charles?â Hannahâs voice still has a southern lilt despite elocution lessons.
He shakes his head. âNo one could tell that boy what to do.â
Though he acted alone, Brothers and Sisters in Arms was in Scottâs heart. BASIAâs victory is shared with other groups who fight in the resistance. Across the country, Âpeople are on their knees in thanks. Itâs what Charles has worked for. A headache suddenly and swiftly stabs at his temples, making his eyes water. It happens sometimes, after these events. He believes itâs brought on by griefâÂhe doesnât want Âpeople to die. But this is war. This is Armageddon.
Charlesâs voice commands, âPower off,â and the monitor goes black. He retrieves a prescription bottle from his desk drawer. Without water, he swallows a pill that should erase his pain by the time he takes the stage.
Hannah stands and slips into her black flats. âYou feeling all right?â
âFine.â From his suit jacket pocket he pulls a lavaliere microphone and pins it to his lapel. In a corner of the room his bodyguard stands at attention. With or without his holstered gun, Henry is an imposing presence.
Charles rises, straightens his suit. âI must admit, I didnât think he had it in him.â
On cue, Henry opens the office door.
âHe was quiet, I remember.â Hannahâs brow furrows, a vertical line forming on her freckled brow. âHe brought a little boy to serÂvice one day.â
âHis mother wasnât too happy about that,â Charles says. âBut Scott turned out to be a fine soldier of God.â
âLike my father,â Hannah says, her voice soft.
âYes, he was one of the best. A minister and pilot wrapped up into one. Meant for greatness.â He remembers her father well, a devoted leader, willing to give up his family in the name of God. âAll right. Letâs get this show started.â
Every pew in the cavernous, circular nave is full. ÂPeople line the aisles and crowd together along the walls. Hannah enters first, takes a seat in the row designated for Charlesâs family, orphaned children and teens of every age and race. Charles comes in after her, his hands clasped humbly as he makes his way to center stage, slightly raised above the seats in his very own theater-Âin-Âthe-Âround. Upon seeing him, voices hush, bodies settle. A thousand pairs of eyes follow him. The energy in the room is electric. Their faith has carried him far.
âGood morning.â He turns slowly, taking in his flock.
âGood morning,â they say in unison.
âGod bless America,â he says.
âAmen,â they say.
One last rotation and he faces the portion of the wall on which is painted a massive mural of a palmâÂhis palmâÂwith the tattooed cross. âWhether you came today for God or country or familyâÂor all