of the first door in the corridor and came toward them. âThese things are from India, and the wallpaper, carpet, and statue were gifts from the maharaja to my late husband. But youâre not here to evaluate my décor, sir, but to take care of that nuisance in my conservatory,â
âBy ânuisance,â I assume you mean the dead man.â Barnes didnât crack a smile as he spoke.
The woman didnât even bother to acknowledge his presence; she kept her attention on the inspector. âIâm HelenaRayburn and I take it youâre in charge of this investigation?â
âThat is correct, maâam. Iâm Inspector Witherspoon and this is my colleague, Constable Barnes.â
She barely nodded in the constableâs direction before turning on her heel and stalking back toward the open door. âWeâre in here,â she snapped. âDo be quick about it, please, I need to get back into my conservatory and have a good look around to see if anything of value is missing.â
They followed her into the drawing room, where two other women sat on a sofa. The smaller of the two gave them a shy smile while the other merely stared at them.
Witherspoon glanced around the large room and noted the influence of India was even more prevalent here. Two bronze elephants the size of Saint Bernards flanked the green marble fireplace; every table, cabinet, and bookcase was covered with brilliantly colored cloths and runners. A collection of brass figurines, all in the same or similar shapes as the big one on the foyer table, filled three shelves of a huge armoire. Exotic flowers, none of which the inspector could identify, filled half a dozen large blue and white ceramic pots along the wall facing the windows.
âPlease sit down,â Helena ordered.
Barnes fixed her with the stare that had sent more than one criminal running for cover when he was patrolling the streets. âI need to interview your servants. I understand theyâre in the kitchen.â
She visibly drew back at his tone and then caught herself. âThe back stairs are at the end of the corridor.â
Barnes nodded politely to Witherspoon, whoâd just sat down, and then left.
âI take it all of you were here when the body was discovered?â Witherspoon waved his hand to include all three of them.
âWe were. This is Mrs. StanwayââHelena pointed to the small, curly-haired woman perched on the edge of the seat and then to the other womanââand this is Mrs. Martell.â
âWho discovered the body?â the inspector asked.
âMy housekeeper, Mrs. Clemments,â Helena continued. âLuncheon was over, and we were having coffee when Mrs. Clemments came and said there was a problem in the conservatory. We went out to have a look.â
âWho is âweâ?â he interrupted. Heâd learned it was very important to keep the sequence of events straight in his own mind.
âAll of us. Mrs. Stanway and Mrs. Martell accompanied me. When we got to the door of the conservatory, the rest of the servants were standing there, but Mrs. Clemments shooed them down to the kitchen. The three of us went inside and found Mr. Filmore. I sent one of the maids for the police.â
âMr. Filmore?â
âHiram Filmore,â she replied. âHe has a shop in Hammersmith and sometimes supplies me with plants.â
âWhat did you do once youâd sent for help?â he asked.
âWe closed the door and came back up here and waited, Inspector,â Helena replied.
âThatâs not quite true, Helena.â Isabelle Martell spoke for the first time. âYou looked around the conservatory to see if any of your plants were missing, remember.â
âAnd I went to the lavatory to wash my hands,â Thea Stanway added.
âSo you were in the conservatory for some time after youâd found the body?â He watched Helena