you?â
âNone. I need a story, Mom, not musings about what itâs like to live on a puddle lake in Maine.â
âPuddle lake? Have you glimpsed the stunning beauty outside your windows?â
In the afternoons, the glistening lake, blooming willows and birches trimming the shoreline, the railroad rising on the embankment, did occasionally shine with the scarlet colors of life. That wasnât the point.
âI canât write about skiing or bowling, or learning to drive,â Chloe continued. âI need something else.â The one ashen catastrophe in their life she could never write about. AndLang knew that. So why push it? Besides, her mother had once informed her that the Devine women were too short to be tragic figures. âWe can be stoics, but not tragics,â Lang had said a few years ago, when it seemed to everyone else that the very opposite was the only thing true.
âMake it up, darling,â Lang repeated, unperturbed by her daughterâs tone. Chloe watched her mother slap the printed-out rules of entry for the Acadia contest on the table. âYou have five months to come up with a story and write it. After it wins, it will be published by the University of Maine Press. Properly published! In book form and everything. Thatâs exciting, isnât it?â
âDid you not hear me when I said I didnât want to be a writer?â
âNo. By the way, I got you the pens you wanted.â Lang produced three packages of blue pens, gel, ballpoint, and fountain, and laid them in front of Chloe. âI also took the liberty of getting you a notebook. Several different kinds to choose from. I thought you might need one if youâre going to write a story thatâs going to win first prize. The Moleskine is very good. Has soft paper. But you try them all.â
Chloe stared at the pens, at the four notebooks. âMom, listen to me.â
Lang sat down, elbows on the table, staring at Chloe with complete attention. She looked so pleased to be told to do what she had already been doing.
âHereâs what we were thinking.â
âWhoâs we?â
âThe four of us.â
âThe four of you were thinking all at once?â
âWell, discussing.â
âThatâs better. Itâs always good to be precise if youâre thinking of becoming a writer.â
âWhich Iâm not, so.â
âWhat are you four up to now?â
âWe were thinking of going to Europe.â
Lang stayed neutral. She didnât blanch, she barely blinked. No, she did blink. Slowly, steadily, as if she was about to say . . .
âAre you crazy ?â
There it was. âFirst listen, then judge. Can you do that?â
âNo.â
âMom. You just said you wanted me to write.â
âYou have to go to Europe to write? Did Flannery OâConnor go to Europe? Did Eudora Welty? Did Truman Capote?â
âActually, he did, yes.â
âWhen he wrote Other Voices, Other Rooms, his first novel, heâd been to Europe?â
âI donât know. Weâre getting off topic, Mom.â
âAu contraire. We are very much on topic.â
âMason and Blake need to do research.â
âSo theyâre going to Europe ?â
Chloe made a real effort not to facepalm, a real, true, Herculean, McDonaldâs supersize-sandwich effort not to facepalm, because there were few things her mother hated more than this brazen gesture of exasperation and frustration.
âHannah and I have been talking about the trip for a while.â
âI thought you just said you wanted to go for Blake and Mason? Make up your mind, child. Either you thought of it on the railroad tracks, or youâve been planning it for years.â
âHow do you know we were on the tracks?â
âI saw you.â Lang pointed out the window. âRight across the lake.â
Both things were true. Chloe and Hannah had been