on the local paper we went to live in the city. It was only twelve miles away, but it was like going to another country. Our little rural Indian world, the disintegrating world of a remembered India, was left behind. I never returned to it; lost touch with the language; never saw another
Ramlila.
In the city we were in a kind of limbo. There were few Indians there, and no one like us on the street. Though everything was very close, and houses were open to every kind of noise, and no one could really be private in his yard, we continued to live in our old enclosed way, mentally separate from the more colonial, more racially mixed life around us. There were respectable houses with verandahs and hanging ferns. But there were also unfenced yards with three or four rotting little two-roomed wooden houses, like the city slave quarters of a hundred years before, and one or two common yard taps. Street lifecould be raucous: the big American base was just at the end of the street.
To arrive, after three years in the city, at Mr. Worm’s exhibition class, cramming hard all the way, learning everything by heart, living with abstractions, having a grasp of very little, was like entering a cinema some time after the film had started and getting only scattered pointers to the story. It was like that for the twelve years I was to stay in the city before going to England. I never ceased to feel a stranger. I saw people of other groups only from the outside; school friendships were left behind at school or in the street. I had no proper understanding of where I was, and really never had the time to find out: all but nineteen months of those twelve years were spent in a blind, driven kind of colonial studying.
Very soon I got to know that there was a further world outside, of which our colonial world was only a shadow. This outer world—England principally, but also the United States and Canada—ruled us in every way. It sent us governors and everything else we lived by: the cheap preserved foods the island had needed since the slave days (smoked herrings, salted cod, condensed milk, New Brunswick sardines in oil); the special medicines (Dodd’s Kidney Pills, Dr. Sloan’s Liniment, the tonic called Six Sixty-Six). It sent us—with a break during a bad year of the war, when we used the dimes and nickels of Canada—the coins of England, from the halfpenny to the half-crown, to which we automatically gave values in our dollars and cents, one cent to a halfpenny, twenty-four cents to a shilling.
It sent us text books (Rivington’s
Shilling Arithmetic,
Nesfield’s
Grammar
) and question papers for the various school certificates. It sent us the films that fed our imaginative life, and
Life
and
Time.
It sent batches of
The Illustrated London News
to Mr. Worm’s office. It sent us the Everyman Library and Penguin Books and the Collins Classics. It sent us everything. It had given Mr. Worm Jules Verne. And, through my father, it had given me my private anthology of literature.
The books themselves I couldn’t enter on my own. I didn’t have the imaginative key. Such social knowledge as I had—a faint remembered village India and a mixed colonial world seen from the outside—didn’t help with the literature of the metropolis. I was two worlds away.
I couldn’t get on with English public-school stories (I remember the curiously titled
Sparrow in Search of Expulsion,
just arrived from England for Mr. Worm’s little library). And later, when I was at the secondary school (I won my exhibition), I had the same trouble with the thrillers or adventure stories in the school library, the Buchan, the Sapper, the Sabatini, the Sax Rohmer, all given the pre-war dignity of leather binding, with the school crest stamped in gold on the front cover. I couldn’t see the point of these artificial excitements, or the point of detective novels (a lot of reading, with a certain amount of misdirection, for a little bit of puzzle). And when, not