pants.
Everyone stared at her sari. In the beginning she thought they were just jealous. Canadian clothes were lumpy and stiff.
Reenaâs Sari Shop in Winnipeg
The sari is five thousands years old , Mata says, as I crawl under a table of coloured waterfalls spilling to the floor. As old as Sanskrit text.
Mataâs eyes are closed. Her fingers graze.
Silks from Banaras, Mysore. Synthetics with pretty names. Georgette. Chiffon. Kanjeevaram saris. The longest and heaviest. Embroidered with real gold.
Mata can always tell the difference.
There hasnât been a woman born that canât be made beautiful by wearing a sari. It softens our bones.
According to Mata, the value of a sari lies in how it falls from the body. The drape from the waist. Small hand-gathered folds. The detailed pallu flowing down a womanâs back like a Himalayan river.
Weight is very important when choosing cloth. The eye, our most unreliable sense, is often seduced by gold threads, or fooled by sheen or variegated threads. But weight is honest. It doesnât change with the light or oneâs mood. How much air can pass through the weave? Is the cloth heavy and dense like the earth or thin, resembling the wind itself?
From under the table I watch her drape the sari like a veil.
Maya! Where are you?
I crawl out from my hiding place.
Why are saris so long, Mata?
Iâll tell you when youâre older.
The one
Bapu leaves me alone.
I browse between the stacks of fabric.
Searching with my hands.
I know itâs there, but I canât rush over the lesser fabrics. I must touch slowly. Respect the blends and rayons. Starched cotton. Not all can be silk.
I wander through the garden. My hands caress brocades heavy as canvas. I could do this blind. I know weight like Mata.
When I finally find it, I stroke gently, afraid it will disintegrate like tissue. I feel the golden birds fly in a delicate filigree. Wings as light as clouds.
I lift the sari under my face and glance at the mirror.
âTall, short, skinny, fat, rich or poor we fold and wrap.â
You look like your mother, Bapu says, appearing beside me. On her wedding day.
The glow of red silk.
Helen of Elsinore
Helen likes singing Mataâs dressing song:
Tall, short, skinny, fat, rich or poor we fold and wrap.
I drape my blue sari over her head and shoulders.
Helen, I think you look like Mother Mary in the Christmas play.
Great. A pregnant virgin. I wish I had a sari. Then we could both wear them to school . . . where they would accidentally unravel in front of Michael! And heâd go crazy trying to decide which one of us he desired more!
I glare at Helen, but she just giggles and mouths S-E-X-Y.
Iâm still trying to forget that moment.
(Michael helping me stand up. The end of my sari pooling in his hands. Sorry, he whispered.)
Really? You want to forget Michael Divienne leaning over your body in the middle of the hallway?
What?
Focus, Jiva. Focus.
You focus, Helen. Weâre supposed to be doing our project on world religions. Youâre the Christian. Iâm the weird Sikh.
Fine. Helen pulls a green sari around her hips like itâs a beach towel. Tell me again what you believe in, Jiva?
Maya , a voice whispers from the hallway.
Did you say something? Helen asks.
Tall, short, skinny, fat rich or poor we fold and wrap.
My motherâs voice floats through the open bedroom door.
Hello, Mrs. Singh! How are you?
I usher Helen past Mata, pushing her into the bathroom . We believe that we have many lives, Helen.
I lock the door. If we live well, we are rewarded in our next life.
And if you mess up?
Youâre a cockroach.
Cool, Helen says, while examining the clumps in her mascara. Reincarnation. Another chance.
Every one deserves a second chance, donât you think?
My mother hears only music
The piano fallboard slams shut.
What did you say? Mataâs mouth is trembling.
Nothing, Mata. Please donât stop