with a bottle and refills his shot glass. âLast call,â she says. Rope makes an effort to waggle his index finger at her.
Rope is slumped in his chair. His arms are dead weights, one resting on the table, one limp at his side. His mouth is hanging open slightly. His eyesâthough deeply bloodshotâlook clear. The drive is nearly unconscious, but the person within it is alert.
âCan holâ ma liquor,â Rope says. The mouth on the handsome drive smiles. âSorry, Iâll do betta wif my speech.â Rope is putting more effort into working the drunken drive.
âI donât mind,â Chance says.
âNo.â Rope laughs, speaking slowly, enunciating. âDonâ imagine you do. Apple jusâ told you more than she should haf about me, dinât she?â
Chance Three nods.
âDonât worry about it,â Rope says, with increasing clarity, his body still slumped and unmoving. âReally.â
Chance says, âApple said you were two of the original one thousand.â Ropeâs eyes move slowly in agreement. Chance continues, âIt sounds as though you . . . have a lot of experience with . . .â Chance canât finish the sentence.
âWith what?â Rope asks. In join lore thereâs a phenomenon commonly referred to as âpossession.â Itâs meant to describe exactly this. Rope is alert, energized, unfazed by the alcohol, but the drive is a mess.
âWhat do I haf experience with?â Rope asks again, slowly, and Chance hears keen interest in the voice.
Chance leans forward. âOne of my drives has cancer, end stage,â he says. âI think the prognosis is maybe three or four months.â
Rope says nothing. Chance watches him. Ropeâs eyes close. Eventually, Chance sighs and begins to get up.
âAhm sorry. This driveâs cooked. Meet me here, tomorra, nine a.m. ,â Rope says. He tips forward and then falls onto the table. He knocks his empty shot glass over, and it spins off the side of the table, raps on the wood floor, and rolls. A trickle of blood spills from Ropeâs mouth.
Both the Apples arrive at Chanceâs left. âLeave him,â says bartender Apple. âIâll clean him up in a few minutes.â Waitress Apple raises her eyebrows expectantly, as if saying, Now would be a good time to leave.
The day after Chance Five turned six years old, he was part of a crowd of children pouring down narrow steps and into the wide world outside their green school bus. In Chanceâs memory, the children fan out into a crisp, bright morning. The shadows of Chanceâs playmates are stark black silhouettes stenciled onto the white plain of Uyuni, the worldâs largest salt flat. The plain stretches without variation from a southern scoop-mining operation toward the hazy northern outlines of low and distant peaks.
âThe culpeo,â Nana says, âis a fox who lives in the mountains close by, but no dogs or foxes or wolves can live on the salt plains.â She is smiling at Alain, comforting him with this confirmation that the salt plains are unlikely to shelter wild dogs. Alain is Chanceâs best friend and was bitten by a dog last year. He has a scar on his left hand, between his fingers.
Chance and Alain have talked about joining when they get old enough and then living together forever. Nana says good friends make good joins. But when heâs fifteen, Alain will move away, and he and Chance will lose touch.
Chance watches his shadow and raises a leg up to his side. His shadow moves as if itâs a giant. He stomps his yellow Soxters down onto the salt and then grinds them to make the crunching louder. âArh! Arh! Arh!â he says. His shadow is enormous and manic. Alain is laughing at it.
Nana says, âChance has a giant!â And here memory works its magic. Chanceâs name at this time was Javier. Nanaâs actual words, if she did say