gettinâ some of that, Mr G.?â
âDonât be so interested in my love life, Jerry,â I said.
SIX
J erry drove my Caddy. Iâd never seen his big hands be as gentle with anything else as he was with the steering wheel of my car.
We parked down the street from the studio and walked to it. It had a glass front, with a single glass door. In the windows were dozens of photos, presumably taken by Barney Irwin. And smack in the middle was a framed photo of a young Abby Dalton.
âI guess that answers the question of whether or not heâll remember her,â I said, pointing.
Jerry leaned in to look closer at the photo that almost looked like it belonged in a yearbook. Her hair piled up on her head, her long neck leading down to bare shoulders.
âI think she looks better now,â Jerry said, straightening up.
âI agree.â
We went to the door of Irwin Studios and pushed it open.
The inside had a musty smell, and a thin layer of dust on everything. Apparently, Irwin Studios didnât do much business anymore. Come to think of it, all the photos in the window had an aged look to them.
âWhat a dump,â Jerry said.
I looked around. It hadnât always been a dump. I could see the rug had cost a pretty penny in its day. Also the wall paneling. There were different size and style picture frames on shelves, but some of them were tarnished.
There was a curtained doorway leading to either a back room or a hallway. The curtain was faded, red and threadbare.
âIs there a bell for us to ring?â Jerry asked.
âI donât see one, but why donât we just take a peek behind curtain number three and see what we find?â
Jerry looked around and said, âThereâs only one curtain.â
âJerryââ
âIâm kiddinâ ya, Mr G.,â he said. âYou of all people know I ainât that dumb.â
âYeah, I do know that. Come on.â
We went to the curtain and I pushed it aside to see a hallway.
I led the way, with Jerryâs bulk crowding behind me. About halfway back we began to hear a voice.
âThatâs it sweetie, thatâs it,â a man said. âNow stick it out. Yeah! Thatâs it. Work it! Work it for daddy!â At the end of the hall we could see flashes of light coming from another doorway.
We got to the end of the hall, found another threadbare curtain, this one blue. I parted it just enough to look inside. We saw a thickset bald man with a camera, clicking off shots of a naked girl on a small stage. After each shot a spent flash bulb would pop from the camera and hit the floor, and heâd load a new one. She was busty and blonde, showgirl material, and at the moment she was working it for daddy, pushing out her chubby boobs and butt. I always wondered how women could do that without breaking their backs.
âHow do they do thatââ Jerry started to whisper.
âI know!â
âWhataya wanna do?â
âFollow my lead.â
âOK.â
I pushed the curtain aside and walked through. Jerry was so close behind me that he clipped my heels.
âSorry,â he whispered.
âOh!â the girl said when she saw us, but did nothing to try to cover up. Instead, she seemed to appreciate the audience, and Jerry appreciated the show.
âNice tits,â he said.
âThank you.â
The photographer turned around. He was in his sixties, with a gleaming bald head. His once powerful physique had gone to seed, but still had powerful shoulders, while his belly hung over his belt. He was wearing a yellow polo shirt, powder blue trousers, with a white belt and shoes.
âWho are you?â he demanded.
âMy nameâs Eddie Gianelli,â I said. âIâm from the Sands.â
âOh,â the girl said, again. âIs this the guy you told me about, Barney?â she asked, in a baby doll voice.
âHuh?â Barney Irwin said.