Callasandra and trying to be sympathetic to her cause. “I understand sometimes Miss. Schuar that there are times when you need to speak out, but I wonder if it was necessary to do it so early in your career. Can you not think about those also who you might be effecting?” The artist looked devastated. “Can’t you all understand that this is me expressing myself? It’s not just a statement of dislike, or criticism; it’s also me putting onto a canvas something that I feel strongly about. Am I supposed to keep those feeling bottled up inside?” Mr. Brunner interceded for a moment. “I think its best that we take into account the fact that this art gallery has decided to give you a chance to display your work for the very first time but what you have chosen to display will have an impact on not just your reputation, but their reputation as well.” This just gave more ammunition to Mrs. Stewart. “It is nothing short of unpatriotic.” There was solid agreement from a section of the crowd surrounding her. “You live in a community that chooses to support each other and to be accepting of everybody’s differences, but here, you have made a horrible mistake in choosing to attack those who choose to support you.” “ I haven’t attacked anybody who has supported me.” “ This town supports you! How do you know there aren’t people in this audience who were involved in what you are trying to depict? How do you know that this person here,” – her swinging arm cut an arc too close for comfort – “or that person there isn’t going to be adversely affected by these pathetic excuses for paintings?” General agreement supported Mrs. Stewart’s words. Callasandra looked to the host and then the curator for support, but all they did was shrug their shoulders, raise their eyebrows in mock consideration, pop some grapes into their mouths and continue watching events unfold like disconnected observers at a crash site – frozen with fascination, but happy to continue feeding their hunger. She was left standing next to her paintings by herself, a lonely figure with arms helplessly at her side, hands outstretched and a pained face questioning what had just happened. Her shoulders started to shake. “But…” “ These paintings are despicable!” spat Mrs. Stewart. “This isn’t art – this is trash.” She took a glass of red wine, walked up to a painting and splashed wine all over it. Callasandra stood there dumbfounded, her pained expression turning to hopelessness – a look I knew all too well. I felt a terrible shiver creep over my shoulders and down my spine, anticipating tears that would soon fall on the girl’s cheeks – if not my own. I had to turn away. Holding my distraught face in one hand, I cleared a way through the bodies with the other, ignoring the rising voices that cursed and shouted around me – whether at Mrs. Stewart or Callasandra Schuar, I didn’t care; I just wanted out. I walked directly for the front door. The empty paintings that lay littered about on the floor could do nothing to stop me: they were like black holes without a gravity well. I hit the door with full force and let the cold chill-stained air envelop me. Down the steps I went, walking as fast as I could to escape the glow of street lamps, and on into the darkened night where I found security in the emptiness.
Chapter 2:
Apostate
Part I
The steeple rose from behind the houses like a beacon, stabbing a hole in the cloud-ridden sky and summoning the courage of those who dared to look upon it with derision. I looked away. If I had thought that silvery steel cross flashing God’s light on it was hard enough to face, then the gaping mouth of the church doors that appeared to me as I rounded the corner was even harder: it swallowed its victims one by one as they entered into the jaws of the church so happily, so willingly. I wanted to turn and begin walking away, hang my head low