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suspicions.”
    Franky loved conversation, and with time on his hands, he was in no hurry to get back to watering his lawn. He was nearly fifty years old, retired early. He lived in a bedroom above the garage in his mother’s house, had lived there his entire life, a room Benjamin had never entered. All the kids Benjamin had known growing up—Mike Cosgrove, Diana Estabrook, Tony Papadakis, Timmy and Albert Amato—had moved away long ago; only Franky DiLorenzo remained, the mainstay, the keeper of the vineyard. Benjamin found it ironic that Franky would be concerned about this neighborhood troublemaker because, in his teen years, Franky himself had been the local delinquent, driving hot rods around town and raising hell at the bowling alley. But after Franky’s sister went off to college (rarely to be seen again) and his dad died, Franky had evolved, instantly, as far as Benjamin could recall, into the person they all knew—Franky the dependable, the squire of Apple Hill Road. He went back and forth to work at the garage, year after year. There had been girlfriends, but Franky had never married. Every night he and his mother had sat down to dinner, all those years, and when she died, a decade ago, Franky had remained alone in the house, unchanged, unchangeable.
    â€œHow’s Len?” asked Franky.
    â€œSame.” Benjamin didn’t mention the unopened can of corn in the fridge or the pack of cigarettes in the freezer. Sure, Leonard was eighty-four, but he was still living on his own, taking care of himself. He got along fine. “Thanks for everything you’ve done for him lately.”
    Franky waved away any credit. “I’m happy to help,” he said. “If he needs anything, you just let me know.”
    â€œThat means a lot to me.”
    They shook hands, as if finalizing a contract.
    * * *
    BY LATE AFTERNOON Benjamin had hauled the last of his belongings up to his bedroom. Although he’d moved out of his parents’ house after high school, his mother and father had never encroached upon his childhood territory; they’d left the bedroom as it had always been—same furniture, same turntable and eight-track player on the desk, same posters thumbtacked to the wall (Elton John in six-inch platform shoes; Farrah Fawcett in her red one-piece). In the past, whenever he came back to visit, it hadalways pleased him to step into this time capsule, but now, unpacking his clothes and folding them into the dresser and closet, he felt unsettled and anxious. What was he doing back in his single bed, surrounded by these totems of his teenage self?—the baseball cards and field day trophies, the blue ribbons from forty-yard dashes he didn’t remember running, the stamp albums, LPs, and textbooks he hadn’t touched since high school.
    From the bookshelf he pulled down one of his high school yearbooks. The Goodwin Academy was a prep school located on the grounds of a nineteenth-century estate in the woods along the rise of Avon Mountain, less than a mile away. There were seventy-five students in his graduating class, most of them boarders. Benjamin had been one of a handful of day students. Every afternoon he’d taken the bus home after sports period, feeling left out of the rituals and shenanigans that took place in the woods and dorm rooms during the evenings. He had been popular and athletic, a standout on the soccer and lacrosse teams, but he remembered Goodwin primarily as a place of loneliness and longing and missing out.
    He turned to the page he was looking for: Audrey Martin’s senior photo. She had been one of the senior prefects, the editor of the school newspaper, and cocaptain of the gymnastics team. Her senior photo displayed her sparkly blue eyes and auburn hair, but she had been most revered for an attribute the photographer hadn’t captured: the best ass at Goodwin, full, round, and deep, but not wide. From the front, you would not