nostrils.
I enter the converted house that was added to the main building, and the constantly texting receptionist says good morning to me. She reminds me cheerily that I have a meet and greet this afternoon with Mrs. Williams . . . as though I would ever forget. Securing a meet and greet with a donor is the goal of every Feed Your Hungry employee.
I wish I could say I legitimately landed this meet and greet. I didnât. Mrs. Williams agreed to donate money because she thinks Iâm Michael Cookeâs girlfriend. When I told her Michael and I were merely friends, the socialite didnât believe me and insisted on coming into Feed Your Hungry to personally drop off her donation. I couldnât say no, as this will only be the second donation Iâve secured. I need it to save my job.
I lie to everyone except Blaine, and if bending the truth allows me to keep my job at Feed Your Hungry, Iâll bend the truth. I donât want to rely solely on Blaineâs generosity and my evening job at his company. I prefer to pay my own way, maintaining at least the illusion of independence. I have my pride.
I pick up my donor list for the day from Feed Your Hungryâs receptionist. All of the donors I am to call have given donations within the past year. My spirits lift. I might have a chance at securing a real meet and greet today.
I swing through the doors separating the new front addition from the original building and the temperature immediately rises. No one can recall the last time the air-Âconditioning in the older rooms worked.
I hurry along the hallways. The walls are painted a dreary gray, the plaster chipped. The carpet is frayed and thin.
I enter the large back room housing the pit. Rows of metal folding tables dominate the area, many of the seats already filled. My coworkers are dialing, their faces blank and their eyes glazed.
I slide into my chair in the back row and Goth girl, my green Mohawk wearing friend, curls her black-Âlipstick-Âcovered lips, giving me her version of a smile. Sheâs wearing her usual black corset, black full skirt, torn mesh stockings, and clunky army boots, and is talking in sweet tones to a past donor.
I plug my headset into the flesh-Âcolored telephone and dial and dial and dial. No one answers. Voice mail. Voice mail. Doesnât speak English. Voice mail. No one answers.
My fingers fall asleep. My thoughts turn to Blaine and the relentless throbbing between my legs. Iâm aroused, needy. I press my thighs together. I wonât last. I canât last. I wiggle.
âWhatâs wrong with you, moth?â Goth girl stage whispers. âDo you have crotch critters or some other vagigi funkiness?â Heads turn and my face heats. âThereâs a free clinic close by. Ask Boss man for the morning off.â
âIâm fine.â I add another lie to my collection.
âSure you are.â My friend snorts.
Sheâs right. Iâm not fine. At noon I leap out of my chair, sling my tote over my shoulder, palm my phone, and hurry down the hallway, looking for a private place to make a call to a very wicked CEO.
âHey kiddo. Are you looking for me?â Michael Cooke steps into the hallway and beams at me, his movie-Âstar good looks dazzling. Heâs wearing a blue shirt that perfectly matches his eyes and clings to his wide shoulders. This designer garment is paired with khaki pants and Birkenstocks, two staples in the blond behemothâs wardrobe. âYou have the meet and greet with Mrs. Williams today, donât you?â
âYes,â I reply, obliged to make polite conversation. Before I met a certain naughty billionaire, I dreamed of talking to Michael. Now itâs a chore. Blaine is the sole man I want to speak with, to be with.
âDonât be scared about this meet and greet.â Michael moves closer to me and I force myself to remain still, to not take a step backward. âMrs.