settled down and let my nerves relax while I enjoyed the floor show.
Some people disparage the female form divine. Sex is too good for them; they should have been oysters. All gals are good to look at (including little brown sisters even though they scared me); the only difference is that some look better than others. Some were fat and some were skinny and some were old and some were young. Some looked as if they had stepped straight out of Les Folies Bergères. I got acquainted with one of those and I wasn’t far off; she was a Swedish girl who was a “ nue ” in another Paris revue. She practiced English on me and I practiced French on her, and she promised to cook me a Swedish dinner if I was ever in Stockholm and I cooked her a dinner over an alcohol lamp and we got giggly on vin ordinaire, and she wanted to know how I had acquired my scar and I told some lies. Marjatta was good for an old soldier’s nerves and I was sad when she had to leave.
But the floor show went on. Three days later I was sitting on Grotto Beach, leaning against a rock and working the crossword puzzle, when suddenly I got cross-eyed trying not to stare at the most stare-able woman I have ever seen in my life.
Woman, girl—I couldn’t be sure. At first glance I thought she was eighteen, maybe twenty; later when I was able to look her square in her face she still looked eighteen but could have been forty. Or a hundred and forty. She had the agelessness of perfect beauty. Like Helen or Troy, or Cleopatra. It seemed possible that she was Helen of Troy but I knew she wasn’t Cleopatra because she was not a redhead; she was a natural blonde. She was a tawny toast color all over without a hint of bikini marks and her hair was the same shade two tones lighter. It flowed, unconfined, in graceful waves down her back and seemed never to have been cut.
She was tall, not much shorter than I am, and not too much lighter in weight. Not fat, not fat at all save for that graceful padding that smoothes the feminine form, shading the muscles underneath—I was sure there were muscles underneath; she carried herself with the relaxed power of a lioness.
Her shoulders were broad for a woman, as broad as her very female hips; her waist might have seemed thick on a lesser woman, on her it was deliciously slender. Her belly did not sag at all but carried the lovely doubly-domed curve of perfect muscle tone. Her breasts—only her big rib cage could carry such large ones without appearing too much of a good thing. They jutted firmly out and moved only a trifle when she moved, and they were crowned with rosy brown confections that were frankly nipples, womanly and not virginal.
Her navel was that jewel the Persian poets praised.
Her legs were long for her height; her hands and feet were not small but were slender, graceful. She was graceful in all ways; it was impossible to think of her in a pose ungraceful. Yet she was so lithe and limber that, like a cat, she could have twisted herself into any position.
Her face—how do you describe perfect beauty except to say that when you see it you can’t mistake it? Her lips were full and her mouth rather wide. It was faintly curved in the ghost of a smile even when her features were at rest. Her lips were red but if she was wearing makeup of any sort it had been applied so skillfully that I could not detect it—and that alone would have made her stand out, for that was a year all other females were wearing “Continental” makeup, as artificial as a corset and as bold as a doxy’s smile.
Her nose was straight and large enough for her face, no button. Her eyes—
She caught me staring at her. Certainly women expect to be locked at and expect it unclothed quite as much as when dressed for the ball. But it is rude to stare openly. I had given up the fight in the first ten seconds and was trying to memorize her, every line, every curve.
Her eyes locked with mine and she stared back and I began to blush but couldn’t