picture of Madame?" "Not about the marriage. Criticisms of a book by Monsieur." "Magnificent," said the waiter who was deeply moved. "Is Madame also a writer?" "No," the girl said not looking up from the clippings. "Madame is a housewife." The waiter laughed proudly. "Madame is probably in the cinema." They both read clippings and then the girl put the one she was reading down and said, "I'm frightened by them and all the things they say. How can we be us and have the things we have and do what we do and you be this that's in the clippings?" "I've had them before," the young man said. "They're bad for you but it doesn't last." "They're terrible," she said. "They could destroy you if you thought about them or believed them. You don't think I married you because you are what they say you are in these clippings do you?" "No. I want to read them and then we'll seal them up in the envelope." "I know you have to read them. I don't want to be stupid about them. But even in an envelope it's awful to have them with us. It's like bringing along somebody's ashes in a jar."
"Plenty of people would be happy if their damned husbands had good reviews."
"I'm not plenty of people and you're not my damned husband. Please let's not fight."
"We won't. You read them and if there's anything good you tell me and if they say anything about the book that's intelligent that we don't know you tell me. The book's made some money already," he told her.
"That's wonderful. I'm so glad. But we know it's good. If the reviews had said it was worthless and it never made a cent I would have been just as proud and just as happy."
I wouldn't, the young man thought. But he did not say it. He went on reading the reviews, unfolding them and folding them up again and putting them back in the envelope. The girl sat opening envelopes and reading her letters without interest. Then she looked out of the cafe at the sea. Her face was a dark gold brown and she had brushed her hair straight back from her forehead the way the sea had pulled it when she had come out of the water and where it was cropped close and on her cheeks the sun had burned it to white gold against the brown of her skin. She looked out at the sea and her eyes were very sad. Then she went back to opening letters. There was one long typewritten one that she read with concentration. Then she went on opening and reading the other letters. The young man looked at her and thought she looked a little as though she were shelling peas.
"What was in the letters?" the young man asked.
"There were checks in some."
"Big ones?"
"Two."
"That's fine," he said.
"Don't go away like that. You always said it never made any difference."
"Have I said anything?"
"No. You just went away.
"I'm sorry," he said. "How big are they?"
"Not much really. But good for us. They've been deposited. It's because I'm married. I told you it was the best thing for us to be married. I know it doesn't mean anything as capital but this is spendable. We can spend it and it doesn't hurt anybody and it's for that. It doesn't have anything to do with regular income nor what I get if I live to be twenty-five or if I ever live to be thirty. This is ours for anything we want to do. Neither of us will have to worry about balances for a while. It's that simple."
"The book has paid back the advance and made about a thousand dollars," he said.
"Isn't that awfully good when it's only just come out?"
"It's all right. Should we have another one of these?" he asked.
"Let's drink something else."
"How much vermouth did you drink?"
"Only the one. I must say it was dull."
"I drank two and didn't even taste them."
"What is there that's real?" she said.
"Did you ever drink Armagnac and soda? That's real enough."
"Good. Let's try that."
The waiter brought the Armagnac and the young man told him to bring a cold bottle of Perrier water