proceed.â I told him all about my father. Knowing Hodgettâs predilections, I exaggerated some things, made my father sound more abusive. Hodgettâs eyes were shut, but I could tell he was listening by the way his face ticâed and scowled. âHe sends the stories out under my name,â I said. âI havenât written a word in over a month.â
To my surprise, Hodgett opened his eyes, looked at me as if heâd just awoken, and said, âMy old man once tried to staple-gun a dead songbird to my scrotum.â He folded his arms across his chest. âJust facts, not looking for pity.â
I remembered reading this exact sentenceâ staple-gun, songbird, scrotum âthen I realized where. âThat happened to Moser,â I said, âat the end of your novel The Hard Road . His dad wants to teach him a lesson about deprivation.â
âThat wasnât a novel, chief. That was first-person life .â He huffed hoarsely. âAll this business about literary journals and phone calls and hurt feelings, itâs just not compelling. A story needs to sing like a wound. I mean, put your father and son in the same room together. Leave some weapons lying around.â
âIt isnât a story,â I said. âIâm living it.â
âIâm paid to teach students like you how to spoil paper. Look at me, manâI can barely put my head together.â His face went through a series of contortions, like a ghoul in a mirror. âYou want my advice,â he said. âGo talk to the old man. Life ainât an opera. Itâs more like a series of commercials for things we have no intention of buying.â
He narrowed his eyes, studying me. His eyes drooped; his mouth had white film at the corners. His nose was netted with burst capillaries.
âWhat happened to the young woman, anyway?â Hodgett asked. âThe one with the nasty allure.â
âYou mean Carrie? My girlfriend?â
âCarrie, yeah. I used to have girlfriends like Carrie. Theyâre fun.â
He closed his eyes and with his right hand began casually kneading his crotch. âShe did that story about the burn ward.â
âCarrie doesnât write anymore,â I said, trying to break the spell.
âShame,â Hodgett said. âWell, I guess thatâs how it goes. Talent realizes its limitations and gives up, while incompetence keeps plugging away until it has a book. Iâd take incompetence over talent in a street fight any day of the week.â
I picked up the Chivas Regal bottle and stood to leave. I studied the old manâs big noisy battered redneck face. He was still fondling himself. I wanted to say something ruthless to him. I wanted my words to clatter around in his head all day, like his words did in mine. âThanks,â I said.
He nodded, pointed to the bottle. âYou can leave that anywhere,â he said.
A nother memory: my mother, father, and me in our living room. I am eight years old. In the corner is the Christmas tree, on the wall are three stockings, on the kitchen table is a Styrofoam-ball snowman. Weâre about to open presents. My father likes to systematically inspect his to figure out whatâs inside. He picks up a flat parcel wrapped in silver paper, shakes it, turns it over, holds it to his ear, and says, âA book.â He sets it on his lap and closes his eyes. âA . . . autobiography.â
Heâs right every time.
My mother wears a yellow bathrobe and sits under a blanket.
Sheâs cold again. Sheâs sick but I donât know this yet. She opens her presents distractedly, saying wow and how nice and neatly folding the wrapping paper in half, then in quarters, while I tear into my gifts one after another. I say thanks without looking up.
That year, she and I picked out a new diverâs watch for my father, which we wait until all the presents have been opened to give him.