that. Iâm telling you, heâs a victim of foul play . . . if you send detectives to the art galleries in Beverly Hillsââ
A click interrupted him. Chad crossed off the last notation, LA police , and shoved the list aside. The flashing computer screen on his desk showed a search engine titled âCorporate Locators.â The middle of the screen flashed, âDel Mar Corporation. Nothing found.â Chad snapped off his screen in disgust, looking up at his Texas Ranger colleague, Corey Cooper.
Where Chad was living blood and bone representing Texasâs ranching heritage, Corey could have posed for a poster advertising the stateâs new diversity. His name was Irish like his fatherâs, but his lush dark hair and honey-toned skin bore more of the 50 percent heritage of his Mexican mother. While no doubt their immediate ancestors had tried to kill one another, Corey and Chad had turned an armistice into a friendship based on shared beliefs. The Job was better furthered by cooperation rather than the old blood feud between Rangers and Mexicans, going back to 1836 when Texas was a republic and the Rangers were first formed.
âI thought you had a business card to follow up on to find this redhead,â Corey said in a soft drawl that bore no trace of a Spanish accent. His mother had forbidden him to speak Spanish at home, but he was still fluent when he wanted to be.
Chad often had to strain to hear Corey, but the way he spoke lent as much weight to what he said as the words themselves. People tended to listen to him. Carefully. âI did. Gentlemanâs Pleasure wonât tell me squat. I hope the whole fucking state falls into the ocean.â Chad shoved his hat back and rubbed his forehead.
âTreyâs there,â Corey reminded him.
âHeâll float along with all the other turds.â For the first time, Chad realized Corey had an arm behind his back. âYou got a trick up your sleeve or an itch to scratch your ass?â
Apparently used to Chadâs shortness, Corey merely unveiled the paper he held with a proper flourish. âSince you had the police artist sketch that tattoo you saw, Iâve done some of my own research. Forget the old motto âOne riot, one ranger.â Youâre looking in the wrong place to find Trey. Your new motto should be, âOne tattoo, one floozy.â How many tattoo artists do such a distinctive design, even in Hollyweird? Find the artist, you find this Jasmine.â
Chad grabbed the drawing as if it were a lifeline. The words were torn from him. âThanks, Corey. I . . . never shoulda let him leave.â
Corey looked at the many medals and award plaques bearing Chadâs name on the wall above his desk. âYou always take too much responsibility for everything. Treyâs an adult. Itâs not your fault he went off half-cocked and then disappeared as soon as he reached LA.â An impish smile curled Coreyâs sensitive mouth and for a moment he was his Irish fatherâs spitting image. âWomen like that keep your peter in the jar beside their beds for special occasions.â
âHeâs just a kid. And the only family I have left. Iâm gonna haveta go out there to find him.â
Corey was shaking his head before Chad even finished. âNope. Sinclair wonât let you transfer to that FBI task force working in Californio. He wants you after those rustlers in Menard. Since youâve had more rustler arrests than anyone on the force, it makes us all look goodââ
Chad rose. âWeâll see about that.â
Corey stared after him, black eyes flaring with alarm as Chad marched to the door stamped âCaptain Ross Sinclair, Company C, Texas Rangers.â
âPatience, Chad,â Corey warned.
Chad repeated the word as if in a Cantonese dialect. âPaâtience.â
Inside his office, Ross Sinclair looked up from paperwork, frowning as Chad