original plays. Yet due to the Imperialâs outsider status, Maggie had been welcomed. She and her iconoclastic work were the star attractions.
âOughtnât you be back at the office, stringing up another aristo on the pillory of public opinion?â Maggie asked as they continued to stroll around clumps of actors and dancers.
âYouâre mixing your metaphors,â Eleanor noted. âAnd itâs one aristo in particular who brings me here.â As quickly as she could, she told her friend all about the arrangement she and Lord Ashford had made.
â The Lord Ashford?â Maggie pressed. âThe selfsame one who caused two actresses here to get into a full-Âout brawl, hair-Âpulling and biting included?â
âThe same,â Eleanor answered, filing the idea away. Sheâd need to see if The Hawkâs Eye had reported that little incident. If not, they were surely remiss in their duties.
âIâve seen him sitting in the boxes.â Maggie pointed out into the theater, where the boxes reserved for the wealthy arrayed themselves like red velvet jewelry cases. During performances, the occupants would be displayed like a veritable treasury of silk, satin, and gems. âAlways surrounded by a cadre of toadies. And women, of course. Heâs got one of those faces I call a corset-Âtightener. You look at him, and suddenly air becomes a little more scarce.â
âTo me,â Eleanor said, âheâs nothing more than a means to sell more papers.â
âMethinks the lady doth protest too much,â Maggie murmured. âYou know my history with aristo rakes. Theyâre as trustworthy as boats made of paper.â
âAt least I know how to swim.â It was a shame she and Maggie saw each other as infrequently as they did. But between Eleanorâs deadlines and Maggie hammering away at a new play, their schedules seldom aligned.
âIf your arrangement with Lord Ashford begins tonight,â Maggie pondered, âwhat are you doing here? Shouldnât you be at home, pretending not to dress up for him?â
âI do need to dress for him,â Eleanor said, âbut my ensemble involves buckskins and beaver hats, not décolletage and diadems.â
Maggie excitedly pressed her hand to her mouth. âA breeches part! But this is too wonderful! Let me fetch Madame Hortense and Mr. Swindon. They will be beside themselves with gleeâÂwe havenât had a decent breeches part since my Countessâs Deception .â
Her friend hurried off, and as she progressed through the theater, she grabbed anyone passing by to eagerly explain Eleanorâs upcoming transformation. Thrilled squeals rose up from the crowdâÂtheater Âpeople were always pleased to pull someone into their mad, idiosyncratic world, and the cast and crew at the Imperial were no exception. Soon, Eleanor found herself surrounded by nearly a dozen chattering figures, pulling her this way and that, deciding just what kind of man sheâd be: dark, fair, dandy, rough. She felt like so much clay in the hands of countless giddy sculptors. Far at the back stood Maggie, laughing into her hand.
What would Lord Ashford make of such a scene? Though he kept company with a good many actresses, he likely wasnât as familiar with this aspect of theater life.
Madame Hortense, the angular, middle-Âaged woman in charge of makeup and wigs, and Mr. Swindon, the heavyset costumer, shoved their way to the front of the crowd. They both surveyed her critically.
âSo this is what a fish at Billingsgate feels like,â Eleanor mumbled.
âCome with us.â Madame Hortense led Eleanor down several flights of stairs, with Mr. Swindon and a whole entourage trailing after them. At last they reached a dressing room, lined with mirrors and tables, costumes draped over every available surface.
âShoo, all of you!â Mr. Swindon waved his fingers at the