bottom-feeders, ready to jump on Gus’s back if he so much as looked cross-eyed at cute little Tess Bailey from support.
“When I knock over that guy sitting there with the black T-shirt that says ‘Badass,’ ” Nash instructed her, meeting his partner’s gaze from across the room just as Gus spotted him with Tess. Gus reacted, reaching inside of his baseball jacket for either his cell phone or a weapon—it didn’t really matter which because he was so slo-oh-oh, and Deck was already on top of him, “lean over the bar and shout to your girlfriend Crystal that she should call 911, that someone in the crowd has a gun. On your mark, get set . . .”
Fifteen feet away, Decker brought Gus Mondelay to his knees and then to the floor, which was a damn good thing, because if it had been Nash taking him down, he would have snapped the motherfucker’s neck. “Go!”
Decker knew the drill.
After he relieved Mondelay of both his weapon and his cell phone and brought him, with a minimum amount of fuss, to an unconscious state, he was more than ready to vacate the premises as quickly as possible.
“Green shirt, two o’clock,” Nash shouted, giving Deck a target that was easy to spot, easy to hit.
After working together for seven years, he and Nash had the fine art of starting a bar fight down to a science. Find two angry drunks sitting fairly close together in the crowd. Knock into them both at the same time, taking them down to the floor, if possible. Come up loud, accusations flying, and start swinging.
Nash had an uncommon ability to determine a person’s flashpoint in just one glance. Man or woman, he could see ’em, read ’em, and play ’em to his full advantage.
That was no small skill to have in their line of work.
True to form, it was only a matter of moments before the fight between Green Shirt and Badass escalated into something even the bouncers couldn’t control. Tables were being knocked over, pitchers and mugs were flying, pool cues were being broken, chairs hefted and thrown.
It was a solid eight on a scale from one to ten—five being sufficient diversion for an escape.
Graceful as a dancer, Nash wove his way through the crowd, grabbing Tess Bailey as he headed for what Decker knew to be a fire exit.
Tess was still without a shirt, a fact that couldn’t have escaped Nash’s attention.
Instead of heading down and out, they took the stairs up, which was an interesting alternative.
Nash read his mind and answered the question as they continued to climb. “There’s an army in the parking lot, so I called for a budget buster.”
That was the Agency nickname for a helicopter extraction. Helos were expensive to keep in the air.
Nash had been pushing Tess in front of him, but now he stopped her from going out the door and onto the roof. “Get behind me,” he ordered as he handed her his shirt. About time—Decker had been on the verge of offering her his own T-shirt.
Although Tess didn’t seem to notice that Nash’s chivalrous action had come about ten minutes too late. In fact, she was looking at Nash the way women always looked at Nash, particularly after he gave her a smile and leaned in closer to say, “You were great down there.”
It was so typical. They weren’t even out of danger and Nash was already setting up the getting laid part of his evening.
Decker would have laughed, but this was Tess Bailey that his partner was messing with. Not only that, but there was something off about Nash tonight, something squirrelly, something . . . brittle. It was almost as if he were going through the motions, or maybe even playacting what was expected of him.
Deck could hear the sirens of the local police as they approached, called in to break up the bar fight. They were an additional diversion and added protection. With five cop cars in the parking lot, only the craziest sons of bitches in the Freedom Network would attempt a shot at the Agency helo that was coming to