Five Quarters of the Orange Read Online Free Page B

Five Quarters of the Orange
Book: Five Quarters of the Orange Read Online Free
Author: Joanne Harris
Tags: Fiction, General, Psychological, Psychological fiction, Historical, Domestic Fiction, World War; 1939-1945, France, War & Military, Cooking, Widows, Cookery, Mothers and daughters, Restaurants, Women Cooks, World War; 1939-1945 - France, Loire River Valley (France), Restaurateurs
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finally died.
    And what about those old men—eighty, ninety, some of them—locked away for war crimes? Blind old men, sick old men sweetened by dementia, their faces slack and uncomprehending. Impossible to believe that they might once have been young. Impossible to imagine bloody dreams inside those fragile, forgetful skulls. Smash the vessel, the essence evades you. The crime takes on a life—a justification—of its own.
    “By a strange coincidence, the owner of Crêpe Framboise, Mme. Françoise Simon, just happens to be related to the owner of Aux Délices Dessanges…”
    My breath stopped. I felt as if a flake of fire had blocked my windpipe and suddenly I was underwater, brown river clutching me under, fingers of flame reaching into my throat, my lungs….
    “…our very own Laure Dessanges! Strange to say that she hasn’t managed to find out many of her aunt’s secrets. I for one much preferred the unpretentious charm of Crêpe Framboise to any of Laure’s elegant (but all too meager!) offerings.”
    I breathed again. Not the nephew, but the niece. I had escaped discovery.
     
    I promised myself then that there would be no more foolishness. No more talking to kind food writers. A photographer from another Paris magazine came to interview me a week later, but I refused to see him. Requests for interviews came by the post, but I left them unanswered. A publisher wrote to me with an offer to write a book of recipes. For the first time Crêpe Framboise was deluged by peoplefrom Angers, by tourists, by elegant people with flashy new cars. I turned them away by the dozen. I had my regulars, my ten to fifteen tables. I could not accommodate so many people.
    I tried to behave as normally as I could. I refused to take advance bookings. People queued on the pavement. I had to engage another waitress, but otherwise I ignored the unwelcome attention. Even when the little food writer returned to argue—to reason with me—I would not listen to him. No, I would not allow him to use my recipes in his column. No, there was to be no book. No pictures. Crêpe Framboise would stay as it was, a provincial crêperie .
    I knew that if I stonewalled for long enough they would leave me alone. But by that time the damage was done. Now Laure and Yannick knew where to find me.
    Cassis must have told them. He had settled in a flat near the center of Paris, and though he had never been a good correspondent he wrote to me occasionally. His letters were filled with reports of his famous daughter-in-law, his fine son. Well, after the article and the stir it caused, they made it their business to find me. They brought Cassis with them, like a present. They seemed to think we would be moved, somehow, at seeing each other again after so many years, but though his eyes watered in a rheumy, sentimental sort of way, mine stayed resolutely dry. There was hardly a trace of the older brother with whom I had shared so much; he was fat now, his features lost in a shapeless dough, his nose reddened, his cheeks crack-glazed with broken veins, his smile vacillating. In place of what I once felt for him—the hero worship of the big brother who in my mind could do anything, climb the highest tree, brave wild bees to steal their honey, swim right across the Loire at its broadest point—there was nothing but a faint nostalgia colored with contempt. All that was such a long time ago, after all. The fat man at the door was a stranger.
    At first they were clever. They asked for nothing. They were concerned for me living alone, gave me presents—a food processor, shocked that I didn’t already have one, a winter coat, a radio—offeredto take me out…. Even invited me to their restaurant once, a big barn of a place with gingham-print faux -marble tables and neon signs and dried starfish and brightly colored plastic crabs wreathed in fisherman’s netting on the walls. I commented, rather diffidently, on the décor.
    “Well, Mamie , it’s what you’d call

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