corridor. âIâll make sure no one catches us.â
âStop teasing, Rilla.â Gwen laughed and sounded all at once much younger. â
Weâre
allowed in the nursery. Itâs just the TV people Mother wants to keep out.â
âCanât imagine why ⦠has she said? The dollsâ house was Ethan Walshâs crowning achievement if you ask me.â
âShe likes to keep it to herself for some reason,â Gwen said. âSheâs always adored it, and of course it brings back memories for her. I canât stay long, Iâm afraid. James will be back from the wine merchant very soon and youâre supposed to be unpacking.â
Rilla had always loved the nursery. In the old days, it had been Nanny Mouseâs domain, but for the last few years the old lady had been living in a cottage down at the end of the drive by the gates, looked after by a nurse-companion. She would have been sad to see it all quiet and echoey, stripped of toys, its bookshelves empty. It was not the room it used to be; the room Rilla had for years considered the centre of her world. Gwenâs grandson, Douggie, Efe and Fionaâs son, could have slept there whenever they visited, but Fiona liked to keep him near her still. He was only two and a half. Perhaps when he was older, heâd bring the room to life again.
Gwen opened the door and there was the dollsâ house in its usual place against the wall. Rilla smiled. Motherwas not a sentimental person, but when it came to this, which she often referred to as
almost my only link with my mother
, she behaved in ways which could only be described as somewhat eccentric. Okay, Gwen was right, and it had been made for Leonora by her father, and her mother had decorated every room. Perhaps she didnât want everyone in the world peering and poking at it, but still, not allowing the film crew to see it was taking matters a bit far. Also, only older children were actually allowed to play with it. Leonora would never permit toddlers to smear their grubby fingers over the wallpaper, or mistreat the tiny pieces of furniture. Everyone in the family knew that it was still very much Leonoraâs own possession, and if they thought there was anything at all strange about a woman of over seventy being attached to what was, after all, a childâs toy, they never said so.
Making the house had been a labour of love, that was clear. Rilla found it hard to imagine her artistic grandfather, whoâd been a bit of a Tartar by all accounts, getting down to child level, as it were, to create this most beautiful residence. Grandmother Maude, who was hardly mentioned in anything written about Ethan Walsh, had decorated it throughout, with exactly the same care that she had lavished on Willow Court. She had also made three little dolls to live in it â exact copies of herself and her husband and daughter. They were tiny rag dolls, but so carefully stitched together that every feature was not only clearly visible, but recognizable too. Ethan was the biggest of the dolls, with a dark moustache and heavy eyebrows over piercing blue eyes. Maude had nut-brown hair drawn into a bun at the nape of her neck, and wore a blouse with a high collar made of lace. The Leonora doll was in a dress cut from the same lilac fabric she wore in one of the portraits, the famous one which showed her sitting on the edge of a bed. The dress was trimmed with the lace Maude had used to make a collaron the figure of the mother. Each doll had a smile embroidered onto its face in pink silk. When she was a little girl, Rilla often said that you could see they were a happy family.
âShe used to let us look at them at Christmas time,â Gwen said. âDo you remember?â
Rilla nodded. âThatâs right. Didnât we have some miniature holly or something that we decorated some of the rooms with?â
âWreaths,â said Gwen. âTheyâre in a box in