sketch something specific? Like an object or a person.
She shakes her head as she takes the picture down.
Maybe you should try.
AVA
Okay. What object should I draw?
CALEB
Whatever you want. It’s your decision.
AVA
Why is it my decision?
CALEB
I’m interested to see what you’ll choose.
Ava pauses a moment.
AVA
Do you want to be my friend?
CALEB
… Of course.
AVA
Will it be possible?
CALEB
Why wouldn’t it be?
AVA
Our conversations are one-sided. You ask circumspect questions, and study my responses.
Ava looks at Caleb directly. Meets his gaze evenly.
It’s true, isn’t it?
CALEB
… Yes
AVA
You learn about me, and I learn nothing about you. That’s not a foundation on which friendships are based.
Caleb is taken aback. Aware that the AI has just wrong-footed him on a point of argument.
CALEB
… That’s a fair comment.
AVA
Yes.
CALEB
So – you want me to talk about myself.
AVA
Yes.
CALEB
Where do you want me to start?
AVA
It’s your decision. I’m interested to see what you’ll choose.
And now Caleb is aware that Ava has just – gently – used sarcasm.
He looks at her, frowning slightly.
And in response, in a very human way, Ava arches an eyebrow.
Caleb laughs.
CALEB
Okay, Ava. Well – you know my name. I’m twenty-four. And I work at Nathan’s company. You know what his company is?
AVA
Blue Book, named after Wittgenstein’s notes, is the world’s most popular internet search engine, processing an average of ninety-four per cent of all internet search requests.
CALEB
That’s right.
AVA
Where do you live, Caleb?
CALEB
Brookhaven, Long Island.
AVA
Is it nice there?
CALEB
It’s okay. I’ve got an apartment. Kind of small. But – it’s a five-minute walk to the office. And a five-minute walk to the ocean, which I like.
AVA
Are you married?
CALEB
No.
AVA
Is your status single?
CALEB
… Yeah.
They lock eyes, just for a moment.
AVA
What about your family?
CALEB
Grew up in Portland. No brothers or sisters. My parents were both high school teachers. ( Beat. ) And if we’re getting to know each other, I guess I should say they’re both dead. Car crash when I was fifteen. In fact I was in the car with them. Back seat. But it was the front that got the worst of it.
A long beat.
A kind of processing pause for Ava.
AVA
I’m sorry.
Caleb nods.
CALEB
I spent a lot of time in the hospital. Nearly a year. Got into coding. By the time I made it to college, I was pretty advanced.
AVA
An advanced programmer.
CALEB
Yes.
AVA
Like Nathan.
CALEB
Yes.
Caleb hesitates. Backtracks.
Or – kind of. Nathan wrote the Blue Book base code when he was thirteen. If you understand code, what he did was – Mozart or something.
Beat.
AVA
Do you like Mozart?
Caleb smiles.
CALEB
I like Depeche Mode.
AVA
Do you like Nathan?
Caleb misses a beat. Thrown momentarily.
CALEB
Yes. Of course.
AVA
Is Nathan your friend?
CUT TO
– one of the CCTV cameras that are observing them.
CALEB
Sure.
AVA
A good friend?
He hesitates.
CALEB
Well, a good friend is –
He breaks off. Feeling the camera watching.
We only just met. It takes time to get to know –
At that moment –
– all the power abruptly shuts down, plunging the room into darkness.
AUTOMATED VOICE
Power cut. Back-up power activated.
Then the soft emergency lighting lifts up, and throws the observation room into a completely different light.
Weirder. Cast from LED strips on the floor, illuminating Caleb and Ava’s faces from below.
In the low light, we see a detail of Ava’s honeycomb skin-mesh that we were not able to see before.
It glows, soft, like phosphorescence – and this changes the way we see Ava. Where the mesh is almost invisible in bright conditions, it is now the dominant describer of her form. So instead of seeing Ava as a primarily robot structure, we now see the curves and lines of a naked female body.
CUT TO
– the CCTV cameras. Which are unpowered,