recognised him as an apostolic preacher. Nevertheless, there were those who resented his assertion that women were in many respects the superior sex and made better administrators and managers of property than men. To his critics, this sounded like heresy.
Impressed by what she had heard of d'Arbrissel, the Duchess Philippa persuaded her husband to grant him some land in northern Poitou, near the Angevin border, where he could establish a religious community dedicated to the Virgin Mary. In noo, by a fountain at Fontevrault, near the Raver Vienne, he founded a double monastery for priests, monks, lay brethren, and three hundred segregated nuns, all under the rule of an abbess-- a revolutionary arrangement for its time. In other respects, the abbey followed the rule of St. Benedict. The community was housed in wooden huts and had a simple chapel. In 1119 building commenced on a new stone church, consecrated that year.
The head of the order was the Abbess of Fontevrault; d'Arbrissel stipulated that she had to be nobly born and a widow, in order to confer prestige on the order and ensure that it was administered by someone familiar with running a large household. The office was filled by several notable ladies during the twelfth century, among them Isabella of Anjou, the widow of "William the Atheling, son and heir of King Henry I of England.
By the time of d'Arbrissel's death in 1117, Fontevrault Abbey had become very popular with aristocratic ladies wishing to retire or temporarily retreat from the world; among them was "William IX's first wife, Ermengarde of Anjou, who withdrew there after the death of her second husband. These ladies were accommodated in their own apartments, where they could enjoy worldly status and comforts while living in seclusion. The majority of the nuns came from noble families and had lay sisters as maids, but no one, however humble, was turned away.8 Fontevrault also became a refuge for battered wives and penitent prostitutes, and housed a leper hospital and a home for aged religious. Above all, it quickly earned a reputation for piety and contemplative prayer, and thus fulfilled its founder's aims of enhancing the prestige of women in general and promoting their rights.
Philippa's absorption in what was going on at Fontevrault irritated "William of Aquitaine, and he turned elsewhere for female company. He was again at odds with the Church, having once more been threatened with excommunication. But as the Bishop was about to pronounce the sentence of anathema in the cathedral of Saint-Pierre, William charged in with drawn sword, grabbed the startled prelate by the neck, and threatened to kill him if he did not absolve him. The Bishop stood his ground, and William backed off. "I do not love you enough to send you to Paradise," he sneered.'
In 1115 the Duke had conceived a violent passion for the wife of his vassal Aimery I de Rochefoucauld, Viscount of Chatellerault; she was appropriately named Dangerosa. She had been married to Aimery for seven years and had borne him three children: Hugh, his heir; Raoul; and Aenor. With no regard to the consequences of his actions, William abducted her from her bedchamber and bore her off to his palace at Poitiers, where he appears to have installed her in the newly built Maubergeonne Tower. Soon the affair became notorious, and Dangerosa was nicknamed "La Maubergeonne."10 Aimery made no recorded protest: he was probably afraid of offending his volatile overlord.
When Philippa returned from a visit to Toulouse, she was shocked at what she found and begged the papal legate, Giraud, to remonstrate with William. But it was useless, for the Duke told the bald legate that curls would grow on his pate before he would part with the Viscountess. Even a renewal of the sentence of excommunication against him had no effect on William.11 He defiantly had Dangerosa's portrait painted on his shield, saying that "it was his will to bear her in battle as she had borne him