man tells a friend about a hated supervisor who often made love to the man’s wife in the office coatroom after hours and threatened to fire him if he or his wife caused any trouble. But what is there to fear now? The man has settled with the supervisor and reconciled with his wife. Relieved at last, he stretches his legs and lets his eyes roam over the Alps.
At the bakery on Marktgasse, the thick-fingered baker puts dough in the oven and sings. These days people are polite when they order their bread. They smile and pay promptly, for money is losing its value. They chat about picnics in Fribourg, cherished time listening to their children’s stories, long walksin mid-afternoon. They do not seem to mind that the world will soon end, because everyone shares the same fate. A world with one month is a world of equality.
One day before the end, the streets swirl in laughter. Neighbors who have never spoken greet each other as friends, strip off their clothing and bathe in the fountains. Others dive in the Aare. After swimming until exhausted, they lie in the thick grass along the river and read poetry. A barrister and a postal clerk who have never before met walk arm in arm through the Botanischer Garten, smile at the cyclamens and asters, discuss art and color. What do their past stations matter? In a world of one day they are equal.
In the shadows of a side street off Aarbergergasse, a man and a woman lean against a wall, drink beer, and eat smoked beef. Afterwards, she will take him to her apartment. She is married to someone else, but for years she has wanted this man, and she will satisfy her wants on this last day of the world.
A few souls gallop through the streets doing good deeds, attempting to correct their misdeeds of the past. Theirs are the only unnatural smiles.
One minute before the end of the world, everyone gathers on the grounds of the Kunstmuseum. Men, women, and childrenform a giant circle and hold hands. No one moves. No one speaks. It is so absolutely quiet that each person can hear the heartbeat of the person to his right or his left. This is the last minute of the world. In the absolute silence a purple gentian in the garden catches the light on the underside of its blossom, glows for a moment, then dissolves among the other flowers. Behind the museum, the needled leaves of a larch gently shudder as a breeze moves through the tree. Farther back, through the forest, the Aare reflects sunlight, bends the light with each ripple on its skin. To the east, the tower of St. Vincent’s rises into sky, red and fragile, its stonework as delicate as veins of a leaf. And higher up, the Alps, snow-tipped, blending white and purple, large and silent. A cloud floats in the sky. A sparrow flutters. No one speaks.
In the last seconds, it is as if everyone has leaped off Topaz Peak, holding hands. The end approaches like approaching ground. Cool air rushes by, bodies are weightless. The silent horizon yawns for miles. And below, the vast blanket of snow hurtles nearer and nearer to envelop this circle of pinkness and life.
• 10 May 1905
It is late afternoon, and, for a brief moment, the sun nestles in a snowy hollow of the Alps, fire touching ice. The long slants of light sweep from the mountains, cross a restful lake, cast shadows in a town below.
In many ways, it is a town of one piece and a whole. Spruce and larch and arolla pine form a gentle border north and west, while higher up are fire lilies, purple gentians, alpine columbines. In pastures near the town graze cattle for making butter, cheese, and chocolate. A little textile mill produces silks, ribbons, cottonclothes. A church bell rings. The smell of smoked beef fills the streets and alleyways.
On closer look, it is a town in many pieces. One neighborhood lives in the fifteenth century. Here, the storeys of the rough-stone houses are joined by outdoor stairs and galleries, while the upper gables gape and open to the winds. Moss grows between the