wonât believe me because I donât believe myself.
Once I am home I check Nanâs room. Sheâs not in. Up on her bed, the case in my lap, I lay each item out side by side. The white bristles on the brush look glossy and soft. I trace my fingers around its edges. Let the tip of one finger sail across the top, only half-touching, like a whisper. Slide slowly deeper and deeper inside the bristles, easing them back towards the handle, feel them slip forwards. In circular movements on my palm, round and round they swirl. I close my eyes, sink inside Nanâs covers.
From the tip of my scalp I brush, in long strokes, to the ends of my hair, over and over. Shoulders drop, legs stretch. Lips smile. I purr like a cat. Let slide-away thoughts melt to nothing.
The light from the hand mirror is a dragonâs tongue licking the ceiling, the walls. It finds tiny tears in the candyfloss wallpaper.
A sticky patch on the lipstick twisted away in the sheet. Gazing in the hand mirror, I run the cold, pink hardness across my lips, expecting something to happen. Nothing does. The sound of a knock on the front door makes me drop the mirror. When I pick it up it has a small crack at the top.
My mum opens the door.
Angela stands on our step with her mother.
âRobyn, Angela would like her case back.â She looks at me, lips pulled tightly together.
I hand the case to Angela.
âYou shouldnât take things that donât belong to you. Thatâs stealing,â Angelaâs mum shouts.
Mrs Naylor walks past going the wrong way.
I shout back. âAngela shouldnât say things â¦â
âWhat things?â
âShe said I could play with it.â
âDid you say that?â
Angela shakes her head.
âLiar, you did, when I was at yours. Anyway, I was only minding it till tomorrow.â
Mum nods. âCourse she was. Making a big deal out of nothing,â she says, pushing her face towards them, âarenât you?â
They turn to leave. Mum bolts down the stairs shouting after them. âThinks sheâs too good for everyone, that Pamela Jennings; stuck-up cow.â
Mrs Naylor walks back along the landing. She points at me and Mum. âItâs the likes of you lot that gets this area a bad name.â
âFuck off. Mind your own business.â Mum slams the door in Mrs Naylorâs face.
The creak from the letterbox makes us both jump.
âFor your information, it is my business. You donât know who youâre dealing with. Just you wait,â she shouts through the letterbox.
Mum grabs my arm and closes the living-room door. She catches her breath. â
She
doesnât know who the fuck
sheâs
dealing with.â She grabs my arms tighter. âYou keep away from that lot. You hear?â
I nod, head into the kitchen to help set the table.
4
T hey take me into town on the number 17C bus. The seats are comfy and I get to sit by the window. My mum takes out a box of Players No.6 and lights one. When itâs lit, she puts another one in her mouth and lights it from the already burning tip, sucking like a baby with a dummy. She hands one to my dad. He has LOVE tattooed on the knuckles of his left hand and HATE tattooed on the knuckles of his right. He takes the cigarette with his love hand. Mum crumples up the empty box, throws it on the floor. Dad blows smoke into Mumâs short brown curls. âThatâs the last of our fags. Weâll be gasping later.â
We stop at St Georgeâs church. Mum glares over my shoulder, out of the window. Thereâs a group of people standing outside the church, hair lifted by the wind. Some have orange sashes draped from their shoulders. Women pushing prams; one licking her thumb and stooping to rub away at a mucky face, purse falling from her pocket. Coins roll across the pavement, bounce off a huge drum balanced against the church wall. Children squeal, scoop them all up in a race and