Square.â
âWe must go there immediately and find out whatâs happened to Theresa and her boy.â
Â
Even on a chilly late morning in November, the market was still busy. The short, stout, pink-cheeked older woman was studying a head of lettuce. As Trish and Pamela approached, Mrs. Donovan looked up and frowned, appearing to sense trouble.
Trish asked, âHow is my sister, Theresa? She and I were supposed to take a walk.â
âI wouldnât know, maâam. She took breakfast in her room with her boy. Mrs. Sullivanâs maid served her.â
Mrs. Donovan had quickly grown agitated, her eyes darting left and right as if searching for Michael Sullivanâs spies. Then her gaze fixed on Pamela. âYou look familiar, maâam. Havenât I seen you here in the market? Yes, youâre Mrs. Thompson, the lady who helps children in trouble. One of yours, the young Italian singer, was kidnapped some months ago in broad daylight.â
âThat was Francesca.â Pamela smiled. âShe came back safe and sound. I live across the square on Fourteenth. Youâre right, I often shop here.â Pamela looked the cook in the eye. âWould you like to join us in my apartment for tea? Itâs time we were better acquainted.â
Mrs. Donovan hesitated. Pamela cajoled her. âYou look chilled. Iâll put a few drops of the good sauce in your cup.â
âWell, your place is on my way home. I may as well go with you.â
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In Pamelaâs kitchen, the three women relaxed with chitchat and spiked tea. The cook turned to Trish and said, âYou should look after your sister. Sheâs very unhappy at home.â
âWhatâs wrong?â Trish asked.
âMichael picks on her and bosses her. She used to talk back to him; but lately he has threatened to take away her son, and she gives in to him more frequently. At dinner recently, they argued when she wanted to go out for some reason. âTake care of young James,â he shouted at her. She told him to mind his own business.â
âThatâs encouraging,â Pamela said in an aside to Trish.
Mrs. Donovan shook her head. âMichael exploded with anger. I thought he would have a stroke. âYou listen to me,â he shouted again. âMy friend Judge Fawcett will declare you unfit to be a mother.â She turned white in the face and didnât say another word. Judge Fawcett is God in the Sullivan house.â
âIs Michael always so mean to Theresa?â
âHe brings her flowers on her birthday, compliments her appearance when she dresses up, and pets or embraces her in a familiar way. But he doesnât seem genuine. She stiffens when he touches her. Frankly, his behavior looks indecent and makes my skin prickle.â
Pamela met the cookâs eye. âThen would you agree that Theresa and her son ought to leave the Sullivan house?â
The cookâs response was hesitant. âItâs a bad place for her, certainly, but how can she leave? She has no money and no decent way to earn any. Michael would try to prevent her. With the judge behind him, and the child a hostage, he might succeed.â She lifted her cup in a salute to the others and drank up her tea. âThat was refreshing. I thank you for the hospitality.â As she rose from the table, she said earnestly, âI trust you wonât repeat what Iâve said.â
When the cook left, Pamela turned to Trish. âTo free Theresa we must take bold measures.â
âWhere shall we start?â Trishâs tone was skeptical.
âWe have to break Michaelâs hold on the Sullivan family and then get the judge out of the way. Even though he has retired from the bench, he has sufficient influence in New Yorkâs courts to threaten Theresaâs hold on her child. As long as thatâs true, she will remain a prisoner in the Sullivan house.â And, Pamela thought, the